Voyager One has been one of my favorite electro-pop meets space rock bands for the last few years and this new one is very nice. They've moved solidly beyond the shoegazer tag at this point, even though it probably never did quite fit their sound. I'm reminded of early Alan Parsons
I Robot in the third song, "Endless Repeat". And "Floating Bridges" is reminiscent of that great first side of David Bowie's (and Brian Eno's)
Low. Not so much the dark and cold feel, but I can hear some of the solid Eno soundscapes, and a Kraftwerk-like moto groove. The dense sound comes back a little slower and darker in "Life, Truth, and Light" later on. Very nice references for me. But they sound more modern too. There are samples and drum loops and processed vocals at various times. Inspired enough by that live bootleg of the early Verve to borrow the title for their name, those early bands in the space rock shoegazer field also shaped their sound. But there's so much more here than just copying a certain sound or revisiting a lost era. There's still some of that Echo & The Bunnymen feel as on the last one,
Monster Zero, which even pulled off a great cover of "Bedbugs and Ballyhoo", but this one is more electronic, with piano and guitar layers artfully handled, and much care in the production. Backwards guitars and stuttering beats and lazy vocals in "The Good You Do Not Do" give it a "Strawberry Fields" feel, but with an extra swirl of electronics riding in the mix. All of the songs are quite distinctive, and yet flow so well together. They even bring in friend Liz Green to supply some extra vocals beyond their two. And cap off the disc with one of the most beautiful and moving closers I've heard since "Consequence" on the Notwist's modern classic
Neon Golden. Usually gets repeated a few times before I breakdown and play the whole CD again. Only to be repeated a few times again a way too short 38 minutes later. The music has light and color, with images sometimes reflecting the neon lights pictured on the striking CD cover. It's an intriguing album that really draws me in, and the production makes it a great listening experience, either loud or soft, headphones or speakers. But it does really come alive when you crank the volume. And it does have some very nice headphone effects. Amazing what some of these guys can do on such a small budget. One of them even took the picture for the cover
Nice review in the
Seattle Weekly, which hopefully I didn't noticeably plagiarize too much
