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 Post subject: In Search of 2006 downbeat singer songwriter...
PostPosted: Tue Oct 24, 2006 7:42 am 
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Garage Band
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i.e. Iron and Wine, Nick Drake, Leonard Cohen, pre Greatest Chan Marshall, Kings of Convenience, Damien Rice.

The more acoustic and moodier the better, but I'd be down for some Sylvian type stuff if there's any out there.


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PostPosted: Tue Oct 24, 2006 8:04 am 
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Forever moderating your hearts
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Jason Molina's solo album?


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PostPosted: Tue Oct 24, 2006 8:11 am 
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Garage Band
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Would it make me question the joys of life and lament over the beauty of despair?

:) :(


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PostPosted: Tue Oct 24, 2006 8:22 am 
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Forever moderating your hearts
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i dunno, i hate most of those artists except Cat Power and i fucking love Leonard Cohen

its pretty much my least listened to genre of music

a google search brought up an mp3 from the album

Code:
http://www.scjag.com/mp3/sc/getoutgetoutgetout.mp3


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PostPosted: Tue Oct 24, 2006 8:23 am 
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i dont know why i [code]d that since its his fucking record label


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PostPosted: Tue Oct 24, 2006 8:30 am 
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Garage Band
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That was beautiful. Do you like him?


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PostPosted: Tue Oct 24, 2006 8:38 am 
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yeah i do, but not as much as his Songs:Ohia stuff

do you want me to upload the album


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PostPosted: Tue Oct 24, 2006 9:21 am 
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You really need to hear the new Boduf Songs album. Been listening to it daily for the past few weeks.

Boduf Songs - Lion Devours the Sun [Kranky Records]

Lion Devours The Sun is the first full length release from U.K. resident Mathew Sweet following his self-titled kranky debut EP released in the fall of 2005. It was recorded at home with a 4 track and a single microphone, using acoustic guitar and voice along with well placed touches of a cymbal-playing monkey, some bricks, an e-bowed autoharp, a homemade gramophone, and daggers. The title derives from alchemical imagery, the sun representing consciousness and the lion symbolizing emotion. Some of these songs contain actual invocations of demonic forces. Not really. Mathew states that "this is not folk music", and that someone told him that they think the first record "sounds humble and withdrawn and the new one sounds righteous and bitter". He agrees. The debut Boduf Songs release garnered high praise from all reviewers. He has performed limited live shows in the U.K. and Europe, and recently recorded a live session for the legendary VPRO in Amsterdam

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PostPosted: Tue Oct 24, 2006 9:29 am 
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Go Platinum
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the James Yorkston album that Timis sent out last week is filling this void for me... Good stuff.


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PostPosted: Tue Oct 24, 2006 10:29 am 
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Eric Bachmann :: To the Races

RIYL: Mellow Crooked Fingers locked in a motel room with an acoustic guitar.

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PostPosted: Tue Oct 24, 2006 12:36 pm 
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elvis perkins

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PostPosted: Tue Oct 24, 2006 1:27 pm 
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alexi murdoch

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 Post subject:
PostPosted: Tue Oct 24, 2006 1:33 pm 
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wovenhand


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 Post subject:
PostPosted: Tue Oct 24, 2006 1:41 pm 
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chris garneau

http://www.myspace.com/chrisgarneau


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 Post subject:
PostPosted: Tue Oct 24, 2006 1:49 pm 
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good question.

I'm sure Dalen's recommendation is a perfect one.

That new Beach House record (another Dalen pick) would probably your melancholy needs---although I guess they are technically a duo.

Oh, it's not 2006 but do you know about Sylvian's Nine Horses album?


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 Post subject:
PostPosted: Tue Oct 24, 2006 1:51 pm 
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Oh.. oh... I haven't heard this yet, but based on her previous stuff I'd say this would probably work:

[img][350:350]http://www.jolieholland.com/images/SCKY-cover-small.jpg[/img]


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PostPosted: Tue Oct 24, 2006 2:05 pm 
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i've been pretty downbeat.

http://www.myspace.com/penny_blacks

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PostPosted: Tue Oct 24, 2006 2:24 pm 
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Stuart Staples.

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 Post subject:
PostPosted: Tue Oct 24, 2006 4:42 pm 
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Jules Shear "Dreams Don't Count"

AMG Wrote:
While the quirky popmeister who fronted Jules & the Polar Bears evolved into a more contemplative and serious-minded songwriter some years back, Jules Shear's tenth album, 2006's Dreams Don't Count, still came as something of a surprise in its sadly beautiful documentation of a landscape of broken hearts and busted dreams. Beginning with the bitterly rueful "Bad Connection," a spare but indelible portrait of a relationship on its last legs, Dreams Don't Count features a dozen songs for a rainy day, with little sunlight poking through this litany of love that failed and wishes that failed to come through. While the downbeat tone of Dreams Don't Count rarely lifts, it also ranks with some of Shear's finest work; his wordplay is masterful ("I've still got a picture of you/But it's not you anymore" cuts to the quick of an affair turned sour, and "I love you wherever I am today" is a telling description of how old love can uncomfortably linger long past its sell-by date), the primarily acoustic arrangements (frequently accompanied by a small string section) set off the melodies beautifully, and the passage of time has worn Shear's slightly froggy voice into an instrument that expresses sorrow with heartbreaking clarity. For all the sadness of Dreams Don't Count, this isn't an album about callow self-pity, but a mature reflection upon the little ways life can take an unexpected turn, and where those detours can lead. If it isn't always fun, it's also richly perceptive and truly beautiful, and it's as satisfying as anything Shear has ever released.

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 Post subject:
PostPosted: Tue Oct 24, 2006 4:51 pm 
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Go Platinum
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easy - damien rice

pm me and i will send you the new one...

also a little more upbeat but still good-->
josh ritter
lloyd cole

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