'Dulcima' which was released in October I believe, is really fucking with my head, in a good way....
http://www.myspace.com/rhysmarshQuote:
“Richly-orchestrated dramatic pop.”
Adresseavisen
“Melancholic and complex music, filled with unexpected chord progressions, rich layers of Mellotron and emotionally-loaded vocals.”
Norway Rock Magazine
“It may challenge your idea of what progressive music should sound like.”
Tarkus Magazine
“A beautiful auburn empire.”
DotShop.se
“A dreamy slice of progressive pop that doesn’t sound quite like anything else we’ve heard in a long time.”
Popsicle
“Inspiring and gorgeous, albeit heartbreaking, classical-countered sophisticated pop. A dizzying spectacle of spell-woven beauty...”
Losing Today
“Nick Drake is the obvious touchstone here, but Marsh doesn’t sound like a clone. Instead, like kindred spirit Eric Matthews, Marsh is an unabashed fan of the same shimmering folk/pop sound and wants to adapt to the 21st century. Based on this beautiful record, he’s succeeded handily.”
The Big Takeover
“This music is dream-like and melancholy. The songs approach you quietly, yet their resonance casts a spell. It's a mixture of magical, touching, somewhat off-beat and yet, despite pop elements, anything but simplistic...”
Nonpop
“‘The Fragile Of Inbetween’ is sophisticated pop-prog at its best. It is a charming and great album, which in its field, stands like a monolith and supersedes most of what we have heard in the past years.”
Merlin Prog
“These songs rise from near-silence to a full-on assault of the senses within a heartbeat, then curl up again in a sea of melancholy.”
BBC Radio 6
“A modern progressive tour de force, full of darkness and beauty.”
Decoded Magazine
“These songs are often so overwhelming beautiful...”
Radio Xymphonia, Netherlands
“The year's autumn soundtrack.”
Natt&Dag