I finished it last night, except for the text portion at the end, which is typically the most indecipherable and tripped out secions of the book.
I really liked
1910, especially the Threepenny Opera bit with Nemo's daughter. I like that
1969 had a whole Stones parallel with the Hyde Park concert for a dead Brian Jones fascimile, and it was neat the way he used "Sympathy for the Devil" in the same way. I mean, I get the overall premise, it just seems like they're barely related (though maybe that's Moore's commentary on immortality).
Still, I'm betting that it would help to go through
The Black Dossier again, since that seems to be the map of the whole thing. This shit is dense, and I'm betting I could spend years -even with Nevins' notations- and still be picking up parts of the story that slipped past me. I'm betting it wraps up nicely in the next issue, but I'm curious to see how he can do public domain characters in 2009 for it. Also, will he still be using a song as a theme throughout the issue? Any bets on what the hell that might be? Was that dumb Lady Gaga song 2009?
There's a pretty great interview with Grant Morrison here:
http://www.rollingstone.com/music/news/ ... s-20110822I finally got around to watching that movie about him. It was a tad long, but fuck that dude is interesting.