A much more positive review than thrillhouse's:
Review: "The Office" crosses the pond
LOS ANGELES (Hollywood Reporter) - Come to think of it, maybe Dan Rather's last word as a news anchor was intended for NBC.
After the peacock network's failure last season to adapt British comedy "Coupling" for an American audience, it certainly took courage to try again with executive producer Ben Silverman and Golden Globe winner "The Office."
For some, any attempt to replicate the ingenious comedy by Ricky Gervais and Stephen Merchant might be heresy. And, perhaps, if Silverman and writer/executive producer Greg Daniels had taken the same approach as was taken with "Coupling," the result would have been similarly disappointing.
This time around, though, things were done differently. Where "Coupling" hired American actors to read the original scripts, the new "Office" incorporates significant changes in the pilot and new scripts for subsequent episodes. Even so, it still captures the universally dispiriting experience of office life.
Over the course of two seasons, each with six episodes, Gervais was marvellous as the well-intentioned but incredibly insensitive David Brent, manager of a paper supply branch office.
The humour came as much from the inspired satire of office hierarchy as it did from the documentary style in which stories were told. Time and again, "The Office" tapped into the minds of the characters, much the way slices of interviews are woven into reality shows.
Director Ken Kwapis effectively preserves the documentary style and, thus, stays true to the tone and style of the original. Daniels never loses sight of the human frailties that the BBC version so humorously embraced, but, just as Norman Lear did with "All in the Family" and "Sanford & Son," he tweaks the stories and characters just enough to give the show an American flavour.
Steve Carrell plays Michael Scott, the obnoxious boss who rose to his level of incompetence. While no one who saw the original will forget the character created by Gervais, Carrell is nothing short of superb in crafting his own version of a boss who is utterly unaware of how he is perceived by others.
Given the limited reach of "The Office" on BBC America, Carrell will set the American standard for administrative pomposity and pretension.
He is surrounded by a versatile cast chosen, in part, for their skill at improvisation.
Jenna Fischer is delightful as the sweet but frustrated receptionist, Pam. John Krasinski smartly portrays Jim, the bored practical joker of the office. Rainn Wilson is hilarious as Dwight, the tightly wound office geek and toady and the character most altered from the BBC show.
It is ironic that this series, though an adaptation, is one of the most unique and creative new comedies on NBC in years.
Following the premiere Thursday, it moves to its regular time period at 9:30 p.m. Tuesdays with a laugh-out-loud episode on diversity training.
From Reveille in association with NBC Universal Television Studio. Based on the BBC series by Ricky Gervais, Stephen Merchant. Developed for American television by Greg Daniels, best known for King Of The Hill.
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