For the Senator, something that was my favorite of 2009 and still continue to go back and listen. A great ingredient for languid hot summer evenings or grey wet cool fall days.
Quote:
There's two kinds of beach music: the warm Tropicana pop that's built for psyching up the volleyball team, and the introspective dream-pop that's designed for the paler, sadder, chillier ranks of the bikini-clad. Along with Beach House and Grizzly Bear (who recorded their last record at a beach house), this Olympia, Washington trio makes the latter kind of music — all soft waves of reverb, guitar riffs that bleed like watercolors and muffled vocals that echo like they're being projected across the dunes. On their second album, frontman Nicolaas Vart even sings about the ocean (check out “Venice Beach”), but his real soft spot is for the liminal spaces the ocean represents: somewhere between land and water (“Boardwalk Theme”), between day and night (“San Francisco 3AM”), between asleep and awake (“Moon Dreams”). And listening in feels hypnotic: as his voice washes over you in a liquid Ambien haze, extending each syllable sooo looong and sooo sweeeetly, you can feel your head get heavier. Sure, Desolation Wilderness can do upbeat — check the great hula-hooping shimmy of “No Tomorrow” — but they're best in the slow-twinkling glory of ballads that slink along to a classic rhythm: swell and fall, swell and fall, and repeat — just like the tide.
edit: oops sorry!
Code:
http://www.mediafire.com/?ew2ysot9b0ucyqd
