konstantinl Wrote:
This should be an easy one for people to decide on.
If you are some tortured soul who believes music exist to facilitate the high art 'concepts' of wretched middle class art students so that the full horror of life with a gardener and two cars in the drive can be explored via the musical architecture of abstract sounds and sonic experimentation, thereby creating a sort of sonic cathedral of miserablism and gloom, in the mistaken believe that it proves innovation, personal depth, culture and intelligence, when really its mopey pandering to the most commonplace of adolescent processes, then you should vote Radiohead.
If, on the other hand, you a normal human being who believes music should actually be a pleasure to listen to, in the form of well written, played, and above all, enjoyable pop songs, with wry semi-amusing lyrics; and that this music should come with CD booklet festooned with pictures of attractive young women in mini kilts, they you should vote Belle & Sebastian.
So bands that get really successful should avoid doing anything remotely interesting and instead coast through the rest of their careers on bland pleasantness, having sanded off all of the edges of what made their music distinctive and worthwhile?
Right because no one wants to hear about rich people being sad or having any kinds of problems with the world. Why don't these criticisms get leveled at Gram Parsons more often? Oh, because he was a traditionalist, and therefore "authentic". Radiohead are "experimental" and therefore "contrived".
I can't really say that Radiohead excites me too much anymore, or even that I've listened to
Kid A once in the past 3 years, but I just get so sick of this whole argument of "weird music is contrived, and conventional pop music is more honest". I'm not even gonna try to argue that
Kid A was more vital, important, or whatever, or that it's a greater artistic expression. That B&S album is just dull sub-Smiths coffee shop music, and it baffles me how anyone would single it out from the enormous mass of this kind of stuff that's been released over the past 10 years as somehow one of the best examples of what this decade has had to offer.