Radcliffe Wrote:
Spade Kitty Wrote:
I couldn't stand You Are Free.
Me neither. That's why I'm so impressed with
The Greatest.
Same here. Even though
The Greatest isn't one of my favorites of this year, it's a really solid album that's definitely worth hearing, even for people like myself who've never thought much about Cat Power. (After hearing it I went back and checked out
Moon Pix which I also like much more than
You Are Free.)
I agree with billy g that this is the best year since 2002. Weird that he would post that since I was just thinking that exact thing a few days ago.
I also agree with splates that there are some pretty bad albums mentioned in this thread…
So here are my recs, to be taken with a grain of salt of course, especially considering how little most people here seem to agree with me about music:
Califone - Roots & Crowns. Best Califone album so far, I'd say. Beautifully textured folk/blues/rock that's both intricate and spacious. Tim Rutili uses the studio like it's a part of his body. Every flourish is perfectly suited to each song, and the songs on this one leave much stronger impressions than any of their previous work. It's kind of hard to describe their sound in terms of a RIYL as I think they're one of the more unique bands out there right now.
Man Man - Six Demon Bag. Ecclectic, carnivalesque nuttiness that actually serves as a vehicle for some pretty damn good songwriting. They've been compared to Tom Waits (very superficial), Captain Beefheart, Mr. Bungle, and Need New Body (their sound is a little similiar, and they're both from Philly). One of the best live bands I've ever seen.
Grizzly Bear - Yellow House. Lush, slow-burner of an album. Takes a while to sink in, but it's a really well-crafted, pleasing record that I've been enjoying more and more.
Bonnie 'Prince' Billy - The Letting Go. Will Oldham's gentler, prettier side, the songwriting on this is also some of his strongest. There are strings and backing female vocals, but they're never intrusive or distracting. The production highlights the lyrics and the melodies really well and makes for a very easy listen.
Wolf Eyes - Human Animal. I know, I know. I bet no one wants to hear about this band anymore, and most of you are probably convinced that they were a passing fad among people who only pretended to like them. Thing is, this may be their best album, and it's much leaner and more structured than
Burned Mind. Every sound they make is intentional, part of a larger whole, and textured to evoke very specific feelings, and with this record, they want everyone to know that. It's noise, and yet it's almost meticulously clean, at least until the last track when they really cut loose. It's still abrasive. It's not melodic, and it's only loosely rhythmic. But it
is music despite what they say on that last song.
Subtle - For Hero: For Fool. This is Doseone from cLOUDDEAD in more of a band-type setting. It's actually a great party record, I think. It's a little like Gnarls Barkley, I guess, but I like this much, much better. Rather than sounding like plasticky soul, it seems more adventurous and sonically interesting. Plus I just think Dose is a lot of fun to listen to when he tailors his lyrics to pop-song structure.
Asobi Seksu - Citrus. Don't know if this was mentioned in this thread or not, but a lot of people on the board like it. Catchy, dreamy, shoegaze-pop.
Beach House. Dalen, pollysix, and several other people seem to really dig this record. It's a duo, I believe, and their sound is rather simple and intimate, mostly keyboard and (female) vocals. May not be the thing for Spade Kitty, though.
NOMO - New Tones. Mentions of this have fallen on deaf ears so far. Either that or nobody else likes it. I could see how people mike take this band as being a little cheesy. They're an instrumental afrobeat/funk band (from Michigan) that sounds like Fela Kuti jams cut down to 3 or 4 minutes. They do a cover of a Joanna Newsom song which naturally sounds nothing like the original but uses the basic melody and dynamic to create something different.