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 Post subject: Lullaby Baxter, Garden Cities of Tomorrow
PostPosted: Thu Oct 05, 2006 12:59 pm 
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A nice folk pop album. Anyone hear this yet?


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PostPosted: Thu Oct 05, 2006 1:01 pm 
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It's weird. I have this foggy memory of the "Lullaby Baxter Trio" from about 8 years ago, but I can't place it. ???

Are they from Montreal?


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PostPosted: Thu Oct 05, 2006 1:11 pm 
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Yes, she hails from Montreal, Canada. She has sort of a Feist(y) voice. It's very nice 60's inspired folk sound. I heard it on NPR a couple of weeks ago and searched it out. Here's an AMG bio:

Quote:
Biography by Marisa Brown & Heather Phares
Born Angelina Iapaolo, Lullaby Baxter (the latter part of her stage name was chosen after seeing Billy Wilder's 1960 film The Apartment) was waitressing in Montreal in 1997 when she was called up on-stage to sing a few songs. Though Baxter had been involved in the arts much of her life, she hadn't sung in public since grade school, but upon receiving compliments and advice to start writing her own songs, she began pursuing music more seriously and performing around town. After one of her shows, a local label owner offered to record a demo for her for free, a copy of which eventually made its way into the hands of Atlantic producer Yves Beauvais, who signed Baxter immediately in 1998.

In 2000, under the somewhat confusingly named Lullaby Baxter Trio (which included lyricist Lutwidge Sedgwick and the Oranj Symphonette, with cellist/bassist Matt Brubeck, guitarist Joe Gore, drummer Scott Amendola, multi-instrumentalist Ralph Carney, and organist Pete Scaturro among their ranks), her debut, Capable Egg, a collection of childlike yet knowing songs made especially compelling by Baxter's smoky, jazz-tinged alto, was released. After taking time off to have a son, write, and continue to work on her music, Baxter's second album, Garden Cities of To-morrow, the title taken from a 1902 book by Ebenezer Howard, came out on Boompa in 2006.


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PostPosted: Thu Oct 05, 2006 1:13 pm 
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Yeah. Did a little Googling and jogged my memory. I remember her debut. Very nice. I used to play it a lot. Don't know why I never bought it. I seem to remember some kind of personal connection... but I'm drawing a blank.


Last edited by pollysix on Fri Nov 03, 2006 6:32 pm, edited 1 time in total.

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PostPosted: Thu Oct 05, 2006 1:19 pm 
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Quote:
Biography by Marisa Brown & Heather Phares
Born Angelina Iapaolo, Lullaby Baxter (the latter part of her stage name was chosen after seeing Billy Wilder's 1960 film The Apartment) was waitressing in Montreal in 1997 when she was called up on-stage to sing a few songs. Though Baxter had been involved in the arts much of her life, she hadn't sung in public since grade school, but upon receiving compliments and advice to start writing her own songs, she began pursuing music more seriously and performing around town. After one of her shows, a local label owner offered to record a demo for her for free, a copy of which eventually made its way into the hands of Atlantic producer Yves Beauvais, who signed Baxter immediately in 1998.

In 2000, under the somewhat confusingly named Lullaby Baxter Trio (which included lyricist Lutwidge Sedgwick and the Oranj Symphonette, with cellist/bassist Matt Brubeck, guitarist Joe Gore, drummer Scott Amendola, multi-instrumentalist Ralph Carney, and organist Pete Scaturro among their ranks), her debut, Capable Egg, a collection of childlike yet knowing songs made especially compelling by Baxter's smoky, jazz-tinged alto, was released. After taking time off to have a son, write, and continue to work on her music, Baxter's second album, Garden Cities of To-morrow, the title taken from a 1902 book by Ebenezer Howard, came out on Boompa in 2006.
[/quote]

Wow. That biography differs quite a bit from the real story that I know, through personal connections. Seems to leave out her "career" in stripping, for one. And also conveniently leaves out the guy who wrote her songs for her. But whatever.


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