Rick Derris Wrote:
Bottom line, the song has to be good and if it is, it will work in any era and in any style.
Case in point, I took a Valentine's weekend trip to New York back in February of 2003.
We had dinner reservations, Broadway show tix, and tix for Sleater Kinney at the Roseland Ballroom with Black Keys and Blonde Redhead opening.
We had zero knowledge that the NYC protest of the the lead up to the war in Iraq was going to be happening that same weekend and we got to experience it first hand.
Later that night when Sleater Kinney came out for their encore, they thanked everyone who braved the cold and protested that day and dedicated the next song to them. They then proceeded to play a screaming, blistering version of "Fortunate Son". A song over 30 years old at the time but felt as relevant and present as anything they played all night. One of the coolest moments I've experienced of having pop and politics come together and create something.........more. Even played a small role in helping shape my personal political views at the time.
"Fortunate Son"
A song that kinda straddles that show/tell line, I think. It's a bit more subtle than just telling folks what to think, as Fogerty is talking about other folks who he is NOT,
showing their hypocrisy instead of telling you "These people are hypocrites."
I think that makes it a lyric that I can tolerate and enjoy more than someone just telling me what is wrong.
It's the observational aspect that I like.
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Paul Caporino of M.O.T.O. Wrote:
I've recently noticed that all the unfortunate events in the lives of blues singers all seem to rhyme... I think all these tragedies could be avoided with a good rhyming dictionary.