20. Emmylou Harris & Rodney Crowell – Old Yellow MoonI’m a big fan of both Emmylou Harris & Rodney Crowell and they often sound great together on this collection (especially on Invitation to the Blues, Bluebird Wine, and Hanging Up My Heart). It’s a fairly uneven collection with some great highs mixed with some other songs that aren’t particularly noteworthy. It’s poor flow that keeps this from appearing higher. There’s a lot on here that I really love but I can’t help but feel that this could have been a lot better with a little better song selection and more attention played to sequencing.
19. Dolly Varden – For A WhileThis is just a really solid album by a very underrated alt country band. There is some real beautiful harmonizing on here. I always wonder why I don’t listen to this more often after I’ve listened to it. The fact that this isn’t higher on my list reflects how great a year this was for new music. It has the opposite problem of “Old Yellow Moon” – consistently good but lacking in one or two really standout tracks.
18. Mike Stinson – Hell & Half of Georgia“Hell and Half of Georgia” is Stinson’s first album since moving to Houston and is a bit of a stylistic departure from the honky tonkish country of his previous albums. There is still a fair amount of country here but it’s plugged in, electric and much more Texas Roadhouse Roots rock. I don’t really like it quite as much as his last album, but there are a lot of good songs on here.
17. Eric Brace & Peter Cooper – The Comeback AlbumThe album title is a bit tongue in cheek as they’ve never left the music scene both active as musical partners and in their own solo careers and have never experienced any real commercial success to strive to comeback to. In recognition of their sense of humor, harmonizing vocals, and lack of success, GP tour manager Phil Kaufman dubbed them the Neverly Brothers. They are apparently very well-regarded within the Nashville scene though as evidenced by the strong cast of contributing players including Lloyd Green on pedal steel, Marty Stuart, Duane Eddy, and Mac Wiseman. Highlights include Ponzi Scheme, Johnson City and a nice cover of Tom T. Hall’s Mad.
16. Guy Clark – My Favorite Picture of YouThis isn’t one of my favorite Guy Clark albums but everything he’s ever put out has been at least very good and this one is no exception. There are some great songs on here including Cornmeal Waltz, the title track, Heroes, and Hell Bent on Heartache.
15. Bobby Long – WishboneBobby Long is a rootsy singer-songwriter with strong pop sensibilities. At times, his raspy voice reminds me of Tim Easton, but he’s also got a strong streak of power pop in him. There are a lot of songs which sound a lot like Girlfriend era Matthew Sweet. It’s one of the first albums I bought this year and its stuck with me all year long. It lags a little in the middle unfortunately. If he could have kept up the pace and quality of the best songs for the whole album, it would have appeared much higher. I suppose that you could say that about a lot of albums though.
14. Tim Easton – Not CoolOn his first album since moving to Nashville, Tim Easton explores his fascination with early rock n’ roll, country blues and rockabilly. I think it is his best album by a pretty wide margin.
13. Garland Jeffreys – Truth SerumAnother strong set of blues inflected roots rockers
12. Jules Shear – Longer to Get To YesterdayJules Shear was quietly busy in 2013, releasing two albums: the first a set of duets with his wife Pal Shazar and this solo album of intelligent folk pop songs. This is by far the better of the two.
11. New American Farmers – Brand New DayNew American Farmers is the new band name for Paul Knowles and Nicole Storto, a duo who released four albums under the name “Mars, Arizona” in the 00’s. They play Americana music with a strong pop sensibility and a small dose of psychedelia. The album leads off with “Everything” which sounds like a lost Byrds track with former Byrd, Gene Parsons, guesting on Banjo. They do a really cool cover of ELO’s “Can’t Get it Out of My Head” stripped down to piano, pedal steel, and a string quartet. There is strong songwriting, some excellent pedal steel, nice harmony vocalizing, and a pretty cool trumpet playing from Ara Anderson who plays with Tom Waits on one song. This was in my top 5 for much of the year and it’s a testament to how strong the year was that it’s not higher.