bort Wrote:
never heard of them.
But yeah I was thinking of "waves" of music, like punk boom of the late 70s.
So presumably you're trying to pick it apart and sort of dig in deeper to various genres and "movements" that happened?
The only things I've really dug into much are post-punk and Canterbury scene prog.
The Canterbury scene is pretty neat if you don't know much about it. It's not really much like some of the bigger prog acts like King Crimson, Genesis, Yes, etc. It's more ramshackle and hippy-ish. It's jazz influenced in a more genuine way, I think. Not just long meandering solos and overly heady, academic compositions, but collective improvisation that builds and moves fluidly, as a unit. A lot of the bands shared some of the same members, and musicians would move around between the different bands in the scene. There's also a kind of seediness and sense of perversion to a lot of it. Just check out some of the song and album titles, particularly with Caravan and Hatfield and the North.
It's basically:
Soft Machine (kind of the nexus of all of it - originally Daevid Allen, Kevin Ayers, Robert Wyatt, et al.)
Gong (Daevid Allen's band after leaving Soft Machine, got really great when Steve Hillage joined)
Arzachel, Khan (Steve Hillage Bands before Gong)
Caravan
Matching Mole (Robert Wyatt)
Hatfield and the North**
National Health*
Egg*
and solo albums from Kevin Ayers, Robert Wyatt, and Steve Hillage
*I haven't actually listened to these
**I'm not crazy about this band
Soft Machine and Gong both morphed into basically jazz fusion bands after the key founding and guiding members (Kevin Ayers & Robert Wyatt, Daevid Allen & Steve Hillage) left each band. Daevid Allen reformed his own version of Gong in the late '70s called Planet Gong which existed concurrently with the other Gong (which was then led by Pierre Moerlin).
Totally not connected to this scene as far as I know, the band Officer! came along in the '80s sounding like they'd come right out of the Canterbury scene (sounding better than some of the originals, or at least Hatfield and the North). Their 1984 album Ossification is really great, and as a fan of Of Montreal, I think you'd really like it. They recorded an album called Dead Unique in 1995 that wasn't released until last year, and that's how I found out about them. It's a very good album, too.