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PostPosted: Tue Oct 06, 2009 11:09 pm 
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TEH MACHINE
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Senator GAR QAEDA Wrote:
The intro alone is worth the price of admission, and I am generally a fan of "And We Bid You GoodNight"

Not sure I can handle the 30 minute Dark Star, but am morbidly curious about the 30 minutes of both That's It for The Other One, and Lovelight.


This should be a Serious Undertaking for mid-week.

I'm on my third try at uploading this behemoth and it's going sludgingly at about 55k/s. They should be up in the morning.

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PostPosted: Tue Oct 06, 2009 11:30 pm 
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DumpJack Wrote:
Senator GAR QAEDA Wrote:
The intro alone is worth the price of admission, and I am generally a fan of "And We Bid You GoodNight"

Not sure I can handle the 30 minute Dark Star, but am morbidly curious about the 30 minutes of both That's It for The Other One, and Lovelight.


This should be a Serious Undertaking for mid-week.

I'm on my third try at uploading this behemoth and it's going sludgingly at about 55k/s. They should be up in the morning.


hump day. i'm looking forward to it. so is gar. he's jail, and he can handle it. if you can't make it through tomorrow, then how are you going to make it through the month?


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PostPosted: Wed Oct 07, 2009 12:42 am 
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Dick's Picks Vol. 4

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Quote:
Though this was the third Grateful Dead album to be released since the death of bandleader Jerry Garcia and the group's subsequent decision to disband, it is the first one that wasn't in the pipeline already. Its release offers evidence that the Dead organization, which had begun releasing selected recordings of live shows as a courtesy to fans while raking in most of its revenues through roadwork, has changed its priorities. Dick's Picks, Vol. 4 isn't just another Grateful Dead concert recording, it's the recording: February 13-14, 1970, the Dead's debut at the Fillmore East, and a show consistently ranked by Deadheads as among the five best live tapes ever. This stand, some of which was released in 1973 on the History of the Grateful Dead, Vol. 1 (Bear's Choice) (there is no overlap with this album), finds the Dead gearing up to record Workingman's Dead, and already songs like "Casey Jones" and "Dire Wolf" have crept into the set. But there is so much more: half-hour versions of "That's It for the Other One," "Turn on Your Lovelight" (a showcase for Pigpen), and, in a near-definitive performance, the Dead's signature song, "Dark Star." Much of the then recently released Live/Dead material is heard, not to mention a rare performance of "Mason's Children." But it isn't just the set list that makes this a legendary show, it's the playing: amazing interaction among the players on every song, with Garcia noodling his way to nirvana. While it would be an exaggeration to say that if you own this three-CD, three-hour-and-ten-minute album you have all you need of the Grateful Dead on disc, the overstatement is only slight. As Bob Weir says at the outset, "This ain't a show, it's a party."


Quote:
On February 11, 13, and 14, 1970, the Grateful Dead — along with the Allman Brothers Band and Love — performed at Bill Graham's Fillmore East auditorium in New York City. The February 13 and February 14 Dead shows were widely regarded as among the band's best concerts, even before the release of Dick's Picks Volume 4. In addition to the evidence offered by Bear's Choice, high quality soundboard bootlegs of the concerts had been in circulation for quite some time. In a 1993 poll of Grateful Dead tape traders, the 2/13/70 show was ranked #2 on the list of all-time favorite Dead tapes, and 2/14/70 was #17. (The May 8, 1977 concert at Cornell University's Barton Hall received the top ranking.) The same poll rated the 2/13/70 versions of "Dark Star", "The Other One", and "Turn On Your Love Light" as the best ever. (The "Dark Star" played on August 27, 1972, in Veneta, Oregon, was ranked #2. The February 27, 1969 version from the Fillmore West, included in Live/Dead, was #9.) Selections from the Allman Brothers Band's performances at this set of concerts were released as the album Fillmore East, February 1970.


Quote:
Dick's Picks Volume 4 received a rating of five stars out of five from Rolling Stone, The Music Box magazine, and Allmusic.
Greg Kot of Rolling Stone wrote, "But when the early Dead were at their best, few American bands were better in concert. Exhibit A is Volume Four, which culls highlights from two masterly 1970 performances at the Fillmore East. Here the full range of the band's arsenal is represented: the luminous 'Dark Star', a raging 'Not Fade Away', the sheer nastiness of McKernan on his showpiece, 'Turn On Your Love Light'."

In The Music Box, John Metzger said, "I don't think I need to tell anyone about the performance of the Grateful Dead on February 13 – 14, 1970, as these have long been fan favorites.... If you have never heard the February 13 performance of Dark Star / That's It for the Other One / Lovelight, you must be living in a cave or have never seen the Grateful Dead. It's one of the most amazing performances they ever did. Over 90 minutes of pure bliss that is sure to convert the unconverted."

On Jambands.com, Dan Alford wrote, "This performance really needs no introduction; it’s one of the most famous two night stands in the Grateful Dead’s history, and if you don’t think 5/8/77 is the best GD performance, it’s possible you think 2/13/70 is.... Easily one of the best moments of the 30 year trip."


Disc 1
Code:
http://www.hidelinks.com/?7gxxgmvese


Disc 2
Code:
http://www.hidelinks.com/?dhng2887bq


Disc 3
Code:
http://www.hidelinks.com/?kyjmv3hqh8

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PostPosted: Wed Oct 07, 2009 10:19 am 
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Yeah, this is good stuff. Great 'Casey Jones' here, followed by a much more reasonable 'Dancin' in the Streets' which has never been a favourite of mine. The standard twofer 'China Cat Sunflower/I Know You Rider is also excellent. Getting close to that 90 min suite .

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PostPosted: Wed Oct 07, 2009 10:42 am 
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Just getting started. Intro...

Pow! Great start.


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PostPosted: Wed Oct 07, 2009 11:15 am 
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Getting a late start. Diggin' the night-before upload. Grab it, put it on a flash-drive and listen to it from that.

Intro, Casey Jones, Dancing In The Streets

Intro into CJ is great. CJ is pretty much a standard thoroughfare run-through, which this early in the show is great. It perked my ears up, and its short and tight.

DitS's vox aren't really anything special, but man once they start breaking away...this is what I really like. Those meandering lines each member creates and just follows. Its completely free, but without being sloppy. I actually like how Lesh occasionally pops his bass up in the mix to say, "hey I'm here".

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Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 11:18 am 
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Quote:
The songs on this release are taken from the following shows.

February 13, 1970;

* Dark Star
* Cryptical Envelopment
* The Other One
* Turn On Your Lovelight

February 14, 1970;

* Casey Jones
* Dancing In The Streets
* China Cat Sunflower
* I Know You Rider
* High Time
* Dire Wolf
* Alligator
* Drums
* Me And My Uncle
* Not Fade Away
* Mason's Children
* Caution (Do Not Stop On Tracks)
* Feedback
* We Bid You Goodnight

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 11:35 am 
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China Cat Sunflower>I Know You Rider>High Time

I love the duo of CCS>IKYR. Seems like its a staple of 70s Dead live sets. IKYR sounds really good here.

I've always loved Workingman's Dead as an album...maybe more than American Beauty. Hearing High Time on this makes me want to go for a bike ride on the C & O Canal, find a tree and just sit listening to it.

If I make a Valentine's mix this year, HT is going on it.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 11:36 am 
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I am fully for free speech, but I think 'Dancing in the Streets' should be banned, and all copies, include the Martha and the Vandellas original should be destroyed.

Possibly the worst song ever.

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Throughout his life, from childhood until death, he was beset by severe swings of mood. His depressions frequently encouraged, and were exacerbated by, his various vices. His character mixed a superficial Enlightenment sensibility for reason and taste with a genuine and somewhat Romantic love of the sublime and a propensity for occasionally puerile whimsy.
harry Wrote:
I understand that you, of all people, know this crisis and, in your own way, are working to address it. You, the madras-pantsed julip-sipping Southern cracker and me, the oldman hippie California fruit cake are brothers in the struggle to save our country.

FT Wrote:
LooGAR (the straw that stirs the drink)


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PostPosted: Wed Oct 07, 2009 11:40 am 
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Dire Wolf

If I just randomly start singing a Dead song, its usually this one. Once again, Workingman's Dead represented, and dang is this good.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 11:41 am 
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Senator GAR QAEDA Wrote:
I am fully for free speech, but I think 'Dancing in the Streets' should be banned, and all copies, include the Martha and the Vandellas original should be destroyed.

Possibly the worst song ever.


Entire sequence or just the vox portions?

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Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 11:42 am 
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Entering Dark Star...

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Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 12:17 pm 
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Senator GAR QAEDA Wrote:
I am fully for free speech, but I think 'Dancing in the Streets' should be banned, and all copies, include the Martha and the Vandellas original should be destroyed.

Possibly the worst song ever.


while i'd generally agree with this statement, this version is downright listenable compared to the later abominations with donna jean wailing all over it.

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PostPosted: Wed Oct 07, 2009 12:30 pm 
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e-stone Wrote:
Senator GAR QAEDA Wrote:
I am fully for free speech, but I think 'Dancing in the Streets' should be banned, and all copies, include the Martha and the Vandellas original should be destroyed.

Possibly the worst song ever.


while i'd generally agree with this statement, this version is downright listenable compared to the later abominations with donna jean wailing all over it.


I agree...it ended much better than it started.

I was kinda down on High Time but liked how it segued into Dire Wolf. I'm floating around the Star right now...hoping to come down soon.

My listening is going to be chunky today, so this show is shaping up to be an all day affair.


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PostPosted: Wed Oct 07, 2009 12:34 pm 
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Well into The Other One right now.

Dark Star was fine, might be the first time I've ever consciously listened to it.

If this The Other One goes into Lovelight like I expect, today's treat was well worth it.

Just wait til tomorrow.....

_________________
Throughout his life, from childhood until death, he was beset by severe swings of mood. His depressions frequently encouraged, and were exacerbated by, his various vices. His character mixed a superficial Enlightenment sensibility for reason and taste with a genuine and somewhat Romantic love of the sublime and a propensity for occasionally puerile whimsy.
harry Wrote:
I understand that you, of all people, know this crisis and, in your own way, are working to address it. You, the madras-pantsed julip-sipping Southern cracker and me, the oldman hippie California fruit cake are brothers in the struggle to save our country.

FT Wrote:
LooGAR (the straw that stirs the drink)


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PostPosted: Wed Oct 07, 2009 12:36 pm 
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Senator GAR QAEDA Wrote:
I am fully for free speech, but I think 'Dancing in the Streets' should be banned, and all copies, include the Martha and the Vandellas original should be destroyed.

Possibly the worst song ever.


AGREED. Starting with these:

Image

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[quote="Bloor"]He's either done too much and should stay out of the economy, done too little because unemployment isn't 0%, is a dumb ingrate who wasn't ready for the job or a brilliant mastermind who has taken over all aspects of our lives and is transforming us into a Stalinist style penal economy where Christian Whites are fed into meat grinders. Very confusing[/quote]


Last edited by Cap'n Squirrgle on Wed Oct 07, 2009 12:40 pm, edited 1 time in total.

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PostPosted: Wed Oct 07, 2009 12:39 pm 
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Something happens around 17 or 18 minutes of this Dark Star, and does not let up. Is this actually improvised, or is it really scripted? So rare that spontaneous music could be so locked in. This set is some of the Dead's most thoughtful and restrained playing. There's room for everybody, and space for everyone to hear each other, in stark contrast to the '68 show we listened to yesterday, where all cylinders are firing over one another.


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PostPosted: Wed Oct 07, 2009 12:39 pm 
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Senator GAR QAEDA Wrote:
Well into The Other One right now.


Finishing up The Other One right now...reserving comments til the 3fer is done.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 12:41 pm 
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Cap'n Squirrgle Wrote:
Senator GAR QAEDA Wrote:
I am fully for free speech, but I think 'Dancing in the Streets' should be banned, and all copies, include the Martha and the Vandellas original should be destroyed.

Possibly the worst song ever.


AGREED.

Image


oh man. I got a 7" copy of that from my old college radio station when they were purging all vinyl and I was just grabbing everything. Sheesh, yeah next time there is a record burning of offensive music...

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 1:15 pm 
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Darkstar>That's It For The Other One>Lovelight

Made it through, and today has been a fairly slow day so I'm able to keep fairly focused on the music.

First thoughts: Dark Star flows really well here. I really agree with jsh's statement above about the halfway point in the track. They are incredibly tight, and I wondered aloud whether this is a by-product of a practice/soundcheck jam that they liked and kept, or is this off-the-cuff jamming. If its the latter, damn.

Pigpen is definitely one of the most-missed pieces in later shows. His absence left a gaping hole. Lovelight is so good. Even at 30 minutes, it still rocks and keeps your attention. I've never heard the Woodstock 45-minute version, but I can only imagine how he worked that crowd. Too bad it was marred by technical problems and other factors. Could've been epic.

Overall, the hour and half suite wasn't bad at all. It was actually downright enjoyable. Heck, it didn't even seem like that long.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 1:17 pm 
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Alligator>Drums

After the suite, the short Alligator was a nice palette cleanser.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 1:33 pm 
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Me and My Uncle

This sounds really great...especially after Drums. I knew John Phillips wrote the song, but didn't know that Judy Collins recorded it first, after a night of tequila drinking with Stills and Young. Man, would I have loved to been a fly on the wall...or get my hands on that tape that was recorded.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 1:37 pm 
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Not Fade Away

Digging on this right now. Can hear some of the original Holly version with the "chugga chugga" guitar and very persuasive drumming. Still, the Dead put their own signature on it, and the 7 minute mark just unleash all their jammy goodness into the spread. You can quote that one.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 1:53 pm 
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Mason's Children>Caution

At around the 5:15 mark on Caution, great stuff starts happening. This is kicked up at this point in what was previously starting make me doze a little.

"All You Need" back and forth = yes!

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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PostPosted: Wed Oct 07, 2009 2:14 pm 
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Feedback>We Bid You Goodnight

...and 3 hours later, we've reached the end. Great way to end the show. Lives up to the hype, and definitely will be added to the collection. Interested hear the rest of all your thoughts as the day progresses.

Favorites: Casey Jones, High Time>Dire Wolf, Lovelight, and the show ender We Bid You Goodnight.

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It's Baltimore, gentlemen; the gods will not save you.

Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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