This might be my favourite 'Dark Star', save perhaps for the 29 min version from Volume 4.

the fuck is wrong with you people?

Really nice Dark Star. A bit of an "Eyes of the World" jam around 15 minutes or so adds to the string of thematic Dark Star jams we're coming across. Good segue into Sugar Magnolia, and I already like this version more than any standalone Sugar Mags.

DJ, I'm assuming it's a major hassle to archive these links, eh? I wanted to bring a buddy of mine up to speed on our infatuation project, but apparently some links are expired. No sweat, we can track em down otherwise, and I'll keep him up-to-date from here on in.

I too enjoyed the short and furious nature of today's show. That Sugar Mag was just plain nasty.

I think tomorrow is gonna bring down the house.

This 27th instalment in the Dick's Picks series is primarily derived from the Grateful Dead's December 16, 1992 performance at the Oakland Coliseum Arena -- with bonus material consisting of a quartet of tunes taken from the following evening's show at the same venue. It is also the first volume to feature theGrateful Dead's final line-up with former Tubes keyboardist Vince Welnick, who joined the band following the demise of Brent Mydland in 1990. Initially, Welnick was paired with Bruce Hornsby, who can be heard on the respective 9th and 17th releases in the catalogue. However, by mid '92 Hornsby had all but returned to his solo gig, although he would occasionally sit in as a guest on grand piano and accordion. Owing to health related issues surrounding Jerry Garcia (guitar/vocals), the Dead declined to tour during the late summer and fall of that year, ultimately returning to the concert stage in early December. The brief respite did the band a world of good as demonstrated by the generally motivated performance. Their set lists likewise show signs of invigoration with the incorporation of several notable covers. These range from the Bob Weir (guitar/vocals) led reading of Willie Dixon's bluesy "Same Thing," to the double-shot medley of the Who's "Baba O' Riley" which seamlessly winds into a profound rendering of the Beatles' "Tomorrow Never Knows" -- both of which are prime vehicles for Welnick's criminally underrated vocals. Although the '90s contained what by all accounts could be considered spotty (at best) performances, the Dead mix an insightful musical maturity with copious measures of spirited instrumental interaction. This dichotomy produces a wistful "Row Jimmy" and plaintive "Ship Of Fools" as well as one of the more rambunctious and profound "Not Fade Away"'s to have come from the band during their final years. Worthy of note is the abbreviated "Dark Star" which contains the second verse only and concludes a version which began four nights earlier.

Yikes, I kind of liked 'Feel Like a Stranger'.