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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 9:13 am 
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Bedroom Demos
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Great job guys. I can't even keep up with all the good music on here. All the other blogs, etc... don't do any good if the music sucks.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 12:35 pm 
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Natural Harvester
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This is really good imo. Asura blends so many styles, and his songs are well crafted.

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Asura - Asura - 2010

Code:
http://moourl.com/z6gl0


Asura is a gorgeous new project from LA's Ryan York, set-up to explore Kenji Miyazawa's concept of the same name, exploring the dissolution of self and environment in the face of strong emotion. York works within this remit to produce thirteen tracks of detailed ambient drift and pusling elctronics reminiscent of everyone from Boards of Canada to Blue Daisy to Flying Lotus. 'Asura' is structured as a continuous blend of tracks intended for involved consumption, subliminally shifting from gravelly digital textures to sweeping post-electronic statements like 'Asura II' via mindswells of heavenly harmonics recalling classic BoC and folksy jazz fusioneering like Bibio. York craftily uses his hi-end digital manipulations and modern classical leanings to lend a rich seam of human warmth and emotion that gives the set an abstracted but tangible thread of narrative which we think will appeal to many of you. Gorgeous music.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 12:45 pm 
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Natural Harvester
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k, harry, and any other ambient/classical fans should definitely jump on this. stellar release.

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Nest - Retold - 2010

Code:
http://moourl.com/9bzlk


We all know about Erik Skodvin's activities outside of Deaf Center - he's carved out quite a solo career for himself as Svarte Greiner - but what of the Norwegian duo's other member, Otto Totland? For the past couple of years he's worked as part of the duo, Nest, with Huw Roberts, releasing their eponymous debut EP in 2007 on Roberts' own Serein label. Now the two artists at last follow up that release with this wonderful full-length, which lifts its first six tracks from the EP (with one newly reworked) and adds a further five new compositions. Retold is something of a masterpiece within its field. Even on early inspections this record excels on every level as a piece of cinematic, ambient contemporary classical composition. From the writing, performances and sparing arrangements right down to the deeply atmospheric production this is an album that followers of cinematic score-work/modern-classical music will absolutely relish, combining memorable deployments of both melody and texture with a kind of scrupulous minimalism that never overplays its hand. 'Lodge' serves as an apt introduction to the album, setting out with muffled, bell-like piano phrases, pining horns and the gentlest current of strings, but by the time we arrive at 'Marefjellet' the duo have really hit their stride, conjuring suspenseful, filmic passages populated by rhythmic keying figures, deep, bass-heavy harps and vintage-style electronic processing. At times it's as if you're listening to a cross between Biosphere's Insomnia soundtrack and his album, Shenzhou, and in terms of ambient music, that must surely be regarded as a compliment of the highest order. Elsewhere, more abstract pieces arrive with the likes of 'Trans Siberian', where the influence of sound collage takes hold: early outbreaks of wintry drone merge with passing locomotive sounds, before an evocative mixture of coarse, filtered strings, fractured piano and field recordings start to flow. The previously unreleased material on the disc proves to be more than up to the task of following up the earlier EP tracks: 'Wheatstone' is full of immaculately produced, aloof romanticism, while 'The Helwick' takes on a blizzard-like feel with its musty, Deathprod-like approach to engineering. Possibly the most extroverted of all the recordings here is 'Far From Land', a composition that's just achingly beautiful as it builds up to a choral midway point that's guaranteed to make the hairs on the back of your neck stand to attention. Retold is sure to enthrall followers of Deaf Center's ambient audio-sculpting, but it's also bound to resonate strongly with anyone who follows the work of artists like Peter Broderick, Johann Johannsson and Max Richter too. Very hghly recommended.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 3:10 pm 
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Go Platinum

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Location: back in portland
thanks for the nest album, been looking for it for a month. been jamming the asura album for a few weeks now

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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 3:11 pm 
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dale, keep shit like that coming. it's about the only sound i'm really feeling these days.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 3:12 pm 
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Natural Harvester
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Gonjasufi - A Sufi And A Killer (Advance) - 2010

Code:
http://moourl.com/n01vl


Warp will release Ganjasufi's A Sufi and a Killer on March 8th, 2010.

Experimental hip-hop artist Gonjasufi will release his debut album, A Sufi and a Killer, early next month on Warp Records.

Gonjasufi was first discovered in the mid-'00s by LA-based DJ and producer The Gaslamp Killer. After hearing some of Gonjasufi's self-released tracks, The Gaslamp Killer brought him to California to record A Sufi and a Killer with himself, Flying Lotus and Mainframe, a former associate of the late hip-hop innovator J Dilla. As the album was being recorded, Gonjasufi also provided guest vocals for "Testament," the penultimate track on Flying Lotus's Los Angeles.

As its title suggests, A Sufi and a Killer combines spiritual and sometimes explicitly religious motifs with a dark and experimental hip-hop aesthetic. In his more brutal moments, Gonjasufi slips into his alternate identity, Sumach. He explains: "Gonjasufi is more prayer...my prayer music, my worship music. Sumach, that’s more of my killer side – walking down the street cocking a gun."

Tracklist
01. Holidays
02. Kobwebz
03. Ancestors
04. Sheep
05. She Gone
06. SuzieQ
07. Stardustin'
08. Kowboyz&Indians
09. Change
10. Duet
11. Candylane
12. Holidays
13. Love of Reign
14. Advice
15. Klowds
16. Ageing
17. DedNd
18. I've Given
19. Made


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 3:14 pm 
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Natural Harvester
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contradiction Wrote:
thanks for the nest album, been looking for it for a month. been jamming the asura album for a few weeks now


it's so good man. their new material blows me away.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 3:15 pm 
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jsh Wrote:
dale, keep shit like that coming. it's about the only sound i'm really feeling these days.


check out the Gonjasufi i just posted. all vibes dude.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 3:26 pm 
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Location: red wing
k, check out the eluvium and casino v. japan if you haven't already.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 4:31 pm 
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Location: back in portland
i can't get into the eluvium album.

what is casino vs. japan besides a horrible name?

gonjasufi is dope as expected

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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 6:39 pm 
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Go Platinum

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Location: red wing
posted this a while ago, and link still works:

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Casino Vs. Japan "s/t" (Moongadget, 1/12/10)

Code:
http://moourl.com/6z8d4


After nearly 6 years of relative quiet, one of IDM's most highly regarded producers, Casino Versus Japan, has broken the silence with a re-issue of his classic self-titled debut on Moodgadget. An intoxicating collection of 22 tracks that harken back to the early days of IDM, and derive from the core of what makes Kentucky-based Wisconsin-native Erik Kowalski's music so unique and appealing. Filled with stylistic variety, and spanning vast expanses of sonic landscape, Casino Versus Japan unfolds with inviting blankets of ambient warmth, crystalline reflections, and powerful resonant drum sequences. From that point forward, the listener is locked in as the album morphs subtly from track to track, creating a multi-faceted collage of sounds and textures, the sort of maximal music that continues to yield new discoveries with repeated listening. Standout tracks include Blue Vacation, Part 4, a gripping musical interpretation of Hemingway, the sub-assaulting distorted slow-roller, Nuclear Weapons Were Invented in 1945, Part 2, and Names on Maps of Venus, Part 5, a patch of gliding ambient shoegaze.


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 7:51 pm 
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Go Platinum

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Location: back in portland
oh i see, that album is 12 years old but i'll listen to it

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 Post subject: The Maccabees - Wall of Arms
PostPosted: Sat Feb 06, 2010 11:07 pm 
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Bedroom Demos
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I didn't find any prior discussions about The Maccabees. This album came out last year and sounds very Arcade Fire-ish. It's a decent placeholder until The Fire release their next album.

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http://moourl.com/mdqlj


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 Post subject: Re: TWENTYTEN
PostPosted: Sat Feb 06, 2010 11:57 pm 
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Joined: Sat Feb 05, 2005 3:50 am
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Location: Big MO
I can't determine who was telling me about that album by The Maccabees but I've been meaning to give it a listen for quite a while. Thank you sir.

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 Post subject: Re: TWENTYTEN
PostPosted: Sun Feb 07, 2010 12:14 am 
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Wow. This seems like the kind of album that a lot of people here would shit their pants over. Devoid of any hype, these songs are pretty enjoyable right now.

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 Post subject: Re: TWENTYTEN
PostPosted: Sun Feb 07, 2010 4:04 am 
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frostingspoon
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cool stuff, dalen

downloading now

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 Post subject: Re: TWENTYTEN
PostPosted: Sun Feb 07, 2010 2:26 pm 
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Bedroom Demos
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Grape Ripple Wrote:
Wow. This seems like the kind of album that a lot of people here would shit their pants over. Devoid of any hype, these songs are pretty enjoyable right now.


Glad that you're digging it.


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 Post subject: Re: The Maccabees - Wall of Arms
PostPosted: Sun Feb 07, 2010 4:44 pm 
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Bedroom Demos

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RolledMeat Wrote:
I didn't find any prior discussions about The Maccabees. This album came out last year and sounds very Arcade Fire-ish. It's a decent placeholder until The Fire release their next album.

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http://moourl.com/mdqlj


I second the awesomeness of this album


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 Post subject: Re: TWENTYTEN
PostPosted: Sun Feb 07, 2010 7:04 pm 
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frostingspoon
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Location: moving up country
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Code:
http://moourl.com/ndyh5


Quote:
There must be something in the water in Kentucky. After all, take the recent collaboration between the Bluegrass boys/musical hybrids that are Ben Sollee and Daniel Martin Moore. On the surface, they’re your standard modern folk act making music that’s full of lonely guitars and ballads laden with pain. But dig deeper and there’s so much more to the duo lyrically and musically than the simple rhythms of mountain music — of course, you couldn’t expect anything else from two young men with insight and heartache beyond their years.

The record that brought the two together, Dear Companion, is a Southern affair through and through, with Jim James of Monsters of Folk and My Morning Jacket pulling production duties. The album is folky and light, but it’s also got their shared spirit of altruism and activism thread throughout the record, specifically the impact of the Mountaintop Removal coal mining and its impact on the people and culture of Appalachia. The title track best represents the spirit of the album. The song take the staples of down-home folk, the guitar and dancing fiddle, and spin it into a sinister and dark tale of some strained relationship. While Martin’s voice, which is haunting and engaging as it moves through the beat as steady as a knife and as thin as a vapor, dominates the track, Sollee’s musicianship punctuates the track, creating much of the feel of the song and moving it along in a frantic pace unlike any other mountain jam you’ve ever heard without losing the emotional connection. Here’s where we should say something about the South rising again.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Feb 08, 2010 4:39 am 
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e-stone Wrote:
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This is incredible. I'm really loving this.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Feb 08, 2010 12:19 pm 
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Indie Debut
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Trayer, anyone?

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Feb 08, 2010 12:41 pm 
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frostingspoon
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Vampire Weekend covering Rancid's "Ruby Soho" to the dismay of Rancid fans on the board, and well, to me as well because it kind of sucks


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Feb 08, 2010 1:47 pm 
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Go Platinum

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Animal Collective->ODDSAC. Soundtrack. {Webrip}

Code:
http://bit.ly/9OYM6D


I've downloaded it, but not sure I'll listen to a web rip...


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Feb 08, 2010 1:56 pm 
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frostingspoon
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Will dl the Asura and finally get around to listening to that Casino vs Japan today


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 Post subject: Re: TWENTYTEN
PostPosted: Tue Feb 09, 2010 1:06 am 
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Go Platinum
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Location: viewing the fall....
robert pollard - We all got out of the army

Code:
http://uploaded.to/file/k4iids


very small file. just getting it myself.

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