A handful more that haven't been mentioned but should be. (Apologies if they
were mentioned, and I missed them.)
Wire -
Chairs MissingNot my favorite of Wire's original trio of albums, but I know it is for a lot of people. This is definitely an interesting transition from
Pink Flag into
154 although I prefer either extreme. There's a great balance struck here, though, and it's without question an excellent, essential record.
No New YorkEverybody knows what this is and why it's "important" but I'd bet a lot fewer really care about it or really
like it. I do like most of it, the James Chance stuff, of course, being the best. The DNA stuff is arguably their best recorded output, and I enjoy the Mars songs as well. It's the Lydia Lunch stuff that I'm not so crazy about, but they're an important part of the comp. I don't really find that they detract from the whole which I think really is deserving of its exalted status.
Brian Eno -
Music for AirportsAnother "important" record that may not be enjoyed as much as it's admired, I really do dig this record a lot. I mean, it's beatiful and soothing and sets a great atmosphere. Exactly what it's supposed to do.
The Rolling Stones -
Some GirlsAm I really the one posting this? This thread's been up nearly a week and none of the usual suspects mentioned it? Granted, it's "Stones, Inc.", but it's a great record anyway you slice it. It's a pop record, essentially, but it's an excellent one.
Neil Young -
Comes a TimeProbably considered one of his lesser '70s albums, but it's a highly likable and endearing record and still near the top of his catalog. I'd probably rather listen to it than
After the Goldrush, to be honest, but that's just me.
Michael Rother -
SterntalerThis is Rother's second post-Neu! solo album, and like all of his first three, it features Jaki Liebezeit of Can on drums and is pretty New-Age-y. In spite of the cheese factor, though, I enjoy all three of those records a great deal, this one maybe most of all.