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PostPosted: Thu Jul 14, 2005 12:35 am 
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billy g Wrote:
harry Wrote:
Hence Sgt. Peppers. Who can listen to it? I can't. But it is a monument of its time. Saying you don't like it is like saying you don't like the pyramids.

It is their most overrated though... mostly because on many lists it is the greatest rock/pop LP (yep, LP) of all time.


I can listen to it just fine. I'm not really that big a beatles fan, but I consider it their best and my favorite (for those who see any difference).

I'd say its really come full circle from most overrated to most underrated. I think people are putting too much emphasis on some rolling stone list from years past which had Sgt Peppers at 1 & never mind the bollocks at 2. I rarely see critics praise sgt peppers like they used to and music fans seem to list revolver and rubber soul first these days.

I'll gladly listen to sgt peppers over either of those.


Hell I just made my son listen to it on sunday afternoon. I still love the album.

I'm an Abbey Road diehard fan though. That's my top Beatles album. With White Album, Revolver and Sgt. Peppers in no particular order there somewhere.

Rubber Soul: Never got into. It's not one of their albums I go "ooohhh Really need to listen to"

Chase: Holy shit that image cracked me up. I actually HAD that on vinyl growing up. I was 7 or 8 when I saw that movie and really got a kick out of it so had to have the soundtrack. haha

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PostPosted: Thu Jul 14, 2005 12:38 am 
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I am not overstating it, I can't listen to it.

Day in the Life (which is still brilliant), and Within You, Without You still sound like music to me. The rest is something else. A commercial. A family picture album. A church service in a Methodist chuch.

It's not just these flashbacks and acid trails that are pretty nauseating.. it's Get By With a Little Help From My Friends, it's Good Morning, Good Morning, It's that lugubrious orchestration and Paul's voice. Fwow up.

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PostPosted: Thu Jul 14, 2005 1:05 am 
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Revolver all the way.


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 Post subject: Re: Let's stir some more shit up....most overrated Beatles a
PostPosted: Thu Jul 14, 2005 2:33 am 
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Spade Kitty Wrote:
For me, it's definitely Sgt. Peppers.

. . .

way too much cutesy/ballady McCartney (She's Leaving Home . . .

Agreed . . . until that last bit. "She's Leaving Home" is one of the songs that i do actually love on there. Cutesy? Maybe. Who cares?

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PostPosted: Thu Jul 14, 2005 2:47 am 
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I have to agree with those that said Sgt. Pepper's. The first half of the album is excellent, but the second half of the album completely drops off before ending with the excellent "A Day in the Life". But I'm not the biggest Beatles fan to begin with, so...


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PostPosted: Thu Jul 14, 2005 3:00 am 
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The Beatles have a lot of good songs, most of which appear on Rubber Soul and Revolver as far as I'm concerned. But I get too irritated with the 60s production values. That's gotten in the way of me being able to fully enjoy a lot of music by The Doors, Jimi Hendrix, Velvet Underground, Rolling Stones, etc. When I listen to 60s music sometimes I'm thinking "Damn if some of this came out today with updated production values it would fucking kill." Of course I'm not imagining Matrix-slick production, but at least with what would be expected from an Apples in Stereo album or something. Imagine a record like Odyssey and Oracle...*sigh.* At least back then most of these bands released one record per year rather than once every 4 years.

Actually, something tells me I wouldn't care much for most of The Doors' music regardless of the time period they released their records.


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PostPosted: Thu Jul 14, 2005 4:49 am 
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Every single one of you have lost your fucking minds.

Except Harry.

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PostPosted: Thu Jul 14, 2005 10:21 am 
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Charli Wrote:
Hell I just made my son listen to it on sunday afternoon.


You'll be getting a call from Child Services soon.


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PostPosted: Thu Jul 14, 2005 10:22 am 
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Billzebub Wrote:
Image

Funny. You should write for Pitchfork (Edit: ahh... never mind...).


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PostPosted: Thu Jul 14, 2005 10:35 am 
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I will be the first here to go on-record with the following statement:

There is no such thing as an overrated Beatles album.

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PostPosted: Thu Jul 14, 2005 10:45 am 
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harry Wrote:
Y'all are demented and deaf.

Though I understand... when you read Byron or Shelley now they seem full of treacle and bombast. Hemingway doesn't really hold up.. and Lord knows Pop Art artists are kinda silly in today's environment... bright and shiny relics of the 60's.

Hence Sgt. Peppers. Who can listen to it? I can't. But it is a monument of its time. Saying you don't like it is like saying you don't like the pyramids.

It is their most overrated though... mostly because on many lists it is the greatest rock/pop LP (yep, LP) of all time.


Oh now we're gonna rag on Pop Art, too?

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PostPosted: Thu Jul 14, 2005 11:20 am 
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Billzebub Wrote:
Charli Wrote:
Hell I just made my son listen to it on sunday afternoon.


You'll be getting a call from Child Services soon.


Seriously, you should try refraining from typing your asshole responses once in a while. You're the only one here who feels it necessary to be a dick constantly.

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PostPosted: Thu Jul 14, 2005 11:30 am 
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Bite me.


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PostPosted: Thu Jul 14, 2005 11:38 am 
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Billzebub Wrote:
Bite me.


no thanks.

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PostPosted: Thu Jul 14, 2005 12:06 pm 
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My vote is the White album, even though i still give it a listen every now and then (hey, even bad pizza is still pizza!).

So much of the WHite album seems sarcastic or tounge-in-cheek to me (eg, back in the ussr, do it in the road, happy b-day,etc.) I know the other albums are self-conscious too, but I guess they just pull it off better.


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PostPosted: Thu Jul 14, 2005 12:08 pm 
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the correct answer is none, as all the beatles albums are awesome. but if i had to pick one, it would be 'let it be'

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PostPosted: Thu Jul 14, 2005 12:42 pm 
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mr. mister Wrote:
the correct answer is none, as all the beatles albums are awesome. but if i had to pick one, it would be 'let it be'


Any hater of "Let it Be" should give the remixed "Let it Be Naked" a listen.

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PostPosted: Thu Jul 14, 2005 12:48 pm 
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oldbulee Wrote:
The White Album is my favorite. It's an overbloated mess, but that's what makes it great. It's a snapshot of a great band going in a hundred different direction. Also it's not "samey", which is my complaint about alot of canonized albums. Every song is a different direction.

I'll hit the indie sacred cow and say Revolver is overrated. It's great don't get me wrong, but it's not there best by a long shot. Some great songs, and I would probably rate it a nine. But it's far off from the love it gets as the "revisited" best album of the Beatles.


As usual, I agree.

Is this a good time to bring up my argument that no piece of music made since 1964 is uninfluenced by The Beatles? I know many of you (including my good friend Yail) are too small-minded to understand this concept in the abstract, but if you would like, we could discuss. I am sure Billzebub will have many salient points.

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I understand that you, of all people, know this crisis and, in your own way, are working to address it. You, the madras-pantsed julip-sipping Southern cracker and me, the oldman hippie California fruit cake are brothers in the struggle to save our country.

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PostPosted: Thu Jul 14, 2005 12:57 pm 
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Abbey Road has never been one of my favorites. Revolver either for that matter.

I have much love for both the white album and Sgt. P.

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PostPosted: Thu Jul 14, 2005 12:57 pm 
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Sen. Grand Wizard LooGAR Wrote:
oldbulee Wrote:
Is this a good time to bring up my argument that no piece of music made since 1964 is uninfluenced by The Beatles? I know many of you (including my good friend Yail) are too small-minded to understand this concept in the abstract, but if you would like, we could discuss. I am sure Billzebub will have many salient points.

Blues?
Gospel?
Jazz?
Latin?
Reggae?


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PostPosted: Thu Jul 14, 2005 12:59 pm 
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DunwoodyDude Wrote:
Sen. Grand Wizard LooGAR Wrote:
oldbulee Wrote:
Is this a good time to bring up my argument that no piece of music made since 1964 is uninfluenced by The Beatles? I know many of you (including my good friend Yail) are too small-minded to understand this concept in the abstract, but if you would like, we could discuss. I am sure Billzebub will have many salient points.

Blues?
Gospel?
Jazz?
Latin?
Reggae?


lol.


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PostPosted: Thu Jul 14, 2005 1:00 pm 
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Senator, the hyperbole only works if the statement isn't too ridiculous to be irritating to anyone.


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PostPosted: Thu Jul 14, 2005 1:01 pm 
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Something that gets to be a huge as the Beatles were will *always* have an influence. That doesn't mean it has to be great, or that ultimately some good doesn't come out of it. I don't think anyone would argue that the Triangle Shirtwaist disaster wasn't a horrible thing, but the influence it's had on fire codes in this country is far-reaching. I think many artists learned how to manage their careers and their business by observing what the Beatles did, and then deciding if that's how they wanted to end up.

I'm in the camp that views the Beatles as extraordinarily lucky in their timing. They were also lucky that Mr. Epstein sold them out to someone who could build an enormous marketing buzz around them. Seltaeb fanned the flames that made them huge, and they cashed in.

Did they make the best music? Not by a long-shot. They got their start by popularizing music made by the likes of Chuck Berry and U.S. blues and r&b artists. I'll plant myself firmly on the third rail here and state that they (as well as Elvis) made it in large part because they were white and generally "clean-cut", a much more palatable medium for the masses. They're no different from the Beach Boys in that regard (who also owe, IMHBSIO, their success to the marketing exploits of their early management).

I will credit them with a handful of very good, sometimes great tunes, but I don't view the entirety of their catalogue as anything remarkable. I also think their renditions of the American r&b catalogue was the weakest, i.e. sterile of their time--as compared to the Stones, Animals, Pretty Things, Who, Kinks, etc.


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PostPosted: Thu Jul 14, 2005 1:05 pm 
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Definitely a tie between Sgt. Peppers & Abbey Road.

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PostPosted: Thu Jul 14, 2005 1:06 pm 
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Billzebub Wrote:
Something that gets to be a huge as the Beatles were will *always* have an influence. That doesn't mean it has to be great, or that ultimately some good doesn't come out of it. I don't think anyone would argue that the Triangle Shirtwaist disaster wasn't a horrible thing, but the influence it's had on fire codes in this country is far-reaching. I think many artists learned how to manage their careers and their business by observing what the Beatles did, and then deciding if that's how they wanted to end up.

I'm in the camp that views the Beatles as extraordinarily lucky in their timing. They were also lucky that Mr. Epstein sold them out to someone who could build an enormous marketing buzz around them. Seltaeb fanned the flames that made them huge, and they cashed in.

Did they make the best music? Not by a long-shot. They got their start by popularizing music made by the likes of Chuck Berry and U.S. blues and r&b artists. I'll plant myself firmly on the third rail here and state that they (as well as Elvis) made it in large part because they were white and generally "clean-cut", a much more palatable medium for the masses. They're no different from the Beach Boys in that regard (who also owe, IMHBSIO, their success to the marketing exploits of their early management).

I will credit them with a handful of very good, sometimes great tunes, but I don't view the entirety of their catalogue as anything remarkable. I also think their renditions of the American r&b catalogue was the weakest, i.e. sterile of their time--as compared to the Stones, Animals, Pretty Things, Who, Kinks, etc.


Well, whaddaya know, he comes through for me. Good post, mang.

And Spade&Steve..The point is that in an abstract way they made evolution of sound acceptable to the masses, and made trying new things not only acceptable, but the only way to be viewed as a true artist.

Explore, children.

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Throughout his life, from childhood until death, he was beset by severe swings of mood. His depressions frequently encouraged, and were exacerbated by, his various vices. His character mixed a superficial Enlightenment sensibility for reason and taste with a genuine and somewhat Romantic love of the sublime and a propensity for occasionally puerile whimsy.
harry Wrote:
I understand that you, of all people, know this crisis and, in your own way, are working to address it. You, the madras-pantsed julip-sipping Southern cracker and me, the oldman hippie California fruit cake are brothers in the struggle to save our country.

FT Wrote:
LooGAR (the straw that stirs the drink)


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