Dalen Wrote:
i disagree with your comment on their new material being more palatable though, and IMO a band like Sigur Ros couldn't care less what the mainstream wants or expects from them. Isn't it possible that they wanted to strip down their music a bit, and simply take a different approach? The problem here is that their early material was so spacious and elaborate that anything following it, that wasn't as massive, might seem "more palatable". I hope that makes sense [2 glasses of wine in:)]
I thought I had read in a few places since the ballet/dance improv whatever thing they did with Radiohead that they were trying to focus on creating an album that had more "pop appeal," particularly in comparison to (). I might be reading something into whatever their statements were, but I don't mean mainstream in the Kelly Clarkson, HOT97 sense. I mean it in the Garden State sense - there's a healthy amount of pop appeal here for certain.
At any rate, I mean this more in the context of their previous recorded output. I think () was a remarkable achievement and is one heckuva slow burn on the b side, but it was not the hit most folks were expecting after AB. Takk has a few songs that I could see ending up on all manner of soundtracks, public radio, and maybe even finding a place via a visual medium, as it is *very* cinematic music. I personally don't need some brilliant video to sell me on them, but I could see that opening doors for them with less committed folks.
Right out of the gate, every (non-transitional) song has a focus on melody (as well as the usual dominant Sigur Ros atmosphere), whereas () was hamstrung at times by focus on repetition and reduction. At least 2 Takk songs actually are kinda upbeat, which I would've never associated with them in the past (tracks 2 and 6). Heck, I can hear the remix of track 6 right now...
I guess my comparsion point is really with (). There's nothing threatening about this record - it's all warm and
nice cold. I mean, there's a fucking oom-pah band waltz mixed in! Even the first song wouldn't be entirely out-of-place on a Coldplay record, if they weren't so dull and hellbent on being U2. If the critical spin on this is more of the overwhelming, Agaetis variety, I think it'll open them up to a lot more folks.
(me + 1 Stella, after 11 hour workday)