I just read the
Stylus review of this monster double CD reissue, and listened to most of the extra tracks.
It's an odd review, calling it both the best rock album of the 90s, and "non-essential." I guess this bloke has a pretty low opinion of 90s rock.
I too had conflicted feelings about Pavement over the years. Their early EPs and singles weren't special because they referenced The Fall, Swell Maps, Pere Ubu and Sonic Youth, but because an occasional flash of melodic brilliance hinted that they might be the ones to drag that culture into the mainstream.
Like The Pixies'
Surfer Rosa,
Slanted And Enchanted should have been just the beginning, taking the sounds of experimental post-punk and making them meaningful and moving to more than just a small crowd of music geeks. Instead, it was an early peak. When
Doolittle came out, I felt let down. Rather than break new ground, it simply dumbed down and flattened out what made them special, in a doomed attempt to become a commercial success. I felt the same with
Crooked Rain. Rather than a progression, it was simply the start of a gentle decline.
With a decade or more of hindsight, those albums hold up better than I thought they would. With the knowledge that The Pixies and Pavement would not shatter any templates (other artists would do that), it's easy to enjoy their remaining albums as fresh, infectious, and pretty damn essential pieces of indie rock. "Cut Your Hair" no longer makes me grind my teeth!
And given how increasingly difficult it is for an
adventurous artist to consistently hit the sweetspot of a zeitgeist that unites millions of people (was Radiohead the last?), it no longer seems reasonable to expect much more. The lowered expectations at least make the relative disappointment after the original excitement over bands like The Strokes, Interpol, Libertines, Yeah Yeah Yeahs a bit easier to swallow.