At the risk of repeating some arguments that have already been made (while adding a few that haven't), here's what I posted in an old CMJ thread.
A long time ago, when he could still manage a coherent thought, HideousLump Wrote:
I see 4'33" as several things:
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An attempt to expand the definition of "music." Musicians and composers were already experimenting with what constitutes music by the time Cage composed 4'33" in 1952. The general components of "music"--melody, harmony, rhythm, and timbre--had been or soon would be violated, emphasized or deleted altogether in an attempt to find out what was really "music," through serialism, improvisation, chance operations, minimalism, electronic instruments, etc.
And I believe it should be considered music simply because the artist says it is. Like Marcel Duchamp's "readymade" sculptures, store-bought items (a urinal, a bottle rack) to which Duchamp added a signature, 4'33" is music because Cage calls it music. What or whether this music means anything to the listener is up to the listener to decide.
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Inevitable. Cage's piece is abstract expressionism adapted to another medium. Like Robert Rauschenberg's blank white canvases, "painted" only a year before 4'33" premiered and an admitted influence on the piece, Cage reduced music to only two components: a title and a structure (a set length of time). Given all the envelopes being pushed by composers and musicians at the time, it was inevitable that someone would take these experiments to the logical extreme.
(In the end, even this wasn't reductionist enough for Cage:
In 1962, Cage wrote a 4'33" No. 2, which is also titled 0'00", "to be performed in any way by anyone". It is a completely different piece. The score, entirely verbal, states, "In a situation provided with maximum amplification (no feedback), perform a disciplined action, with any interruptions, fulfilling in whole, or in part, an obligation to others. No two performances are to be of the same action, nor may any action be the performance of a 'musical composition'. No attention is to be given to the situation (electronic, musical, theatrical)." ... "What the piece is trying to say is that everything we do is music, or can become music through the use of microphones..." (
http://www.azstarnet.com/~solo/4min33se.htm)
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Conceptual art. And like much conceptual art, the instructions are frequently more "interesting" than the final result. 4'33" is really a thought experiment, a zen koan, on the meaning of music.
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A joke. Cage was a trickster. That 4'33" was at least partially a joke is, I think, established by the fact that it contains three separate movements, lasting 30", 2'23" and 1'40". The original manuscript even listed a tempo of 60 beats per minute.
Whether 4'33" means anything to you is up to the individual, but sometimes reducing an artform to it's bare components can open a window you hadn't perceived before. Brian Eno has tied the genesis of ambient music to, among other things, two seemingly chance events. (If you know your Eno, you've probably heard these stories.) In one, while laid up in bed following an accident, he put on an album of harp music, only to realize once he was back in bed that the volume was far too low and that one channel of the stereo had failed. Too tired to get back up and fix it, he found the seemingly random peaks of volume in the music blending in with the background noise, and this brought an epiphany of another way to listen to music--as part of all sounds, as a musical tint added in.
The other incident found him in Africa, sitting outside at night and playing with a shotgun microphone hooked to headphones. Swinging the mic around, isolating random sounds in the landscape, inspired a way of creating the layers of musical soundscape later found on his
Ambient 4: On Land album.
Call it what you will, 4'33" is certainly a building block which has helped lead to many new musical forms.
As I discuss above, I think the context in which it was composed is crucial to the value of the piece.
I maintain that it's boring music.
You just haven't heard a good performance of it.