cemeterypolka Wrote:
I agree with that, but how can you apply this to the original discussion? Cage did something original that we have not spoken of anyone else attempting before. If it had been done before this would be a valid argument, and sure his reputation contributed to the popularity of this particular piece, but how does a paint by number relate to 4'33? It doesn't. He was the first to do a piece like this and it's not like he was replicating an already popular performance idea.
That goes back to this post:
Elvis Fu Wrote:
Intent, eh? I think it's only part of the whole package. Perception also has a hand. I think that if you change the composer, the entire piece changes meaning. Since it's John Cage, avant-garde composer, it must be elevated on a pedestal. But if the following people had composed the exact same piece prior to Cage, it would likely be categorized not as art but as…
Victor Borge: a joke immortalized on VHS.
Marcel Marceau: not the least bit surprising.
Scott Stapp: pretentious crap from a hypocritical rock star, but better than Creed.
Brian Wilson: dude has flipped his lid…again
Joan Rivers: a blessing.
However, if some nameless housewife in New Mexico had painted a bunch of flowers that remind you of vaginas before Georgia O'Keeffe, or a homeless guy had created a painting that looked exactly like Van Gogh's "Night Cafe" before the one-eared wonder, I doubt we would be debating the merit of those works. "4'33" seems to revolve more about the judgement of the composer than of the composition.
The paint-by-number was in response to Jewels' question about samples and rap music and where I draw the line on those sorts of creations.
cemeterypolka Wrote:
I don't know. Fuck, i'm hungry
Moi aussi.