Let's talk about Mark Cuban and his new way of showing and distributing movies, starting with Steven Soderburgh's
Bubble, premiering this weekend.
For those who aren't all that well-versed in this new vertical integration strategy for movies, here's a good article
from Fast Company.
An excerpt that gives you the basic idea, though there are more details in the article:
By releasing new movies in several formats on the same day--"day-and-date release," as it's known--Cuban and Wagner believe they can make more efficient use of the marketing dollars spent on each film. Studios typically mount separate campaigns, months apart, for the theatrical and DVD releases. (The DVD marketing campaign for a major movie can cost north of $15 million, according to Nielsen Monitor-Plus.) All too often, however, by the time the movie is out on DVD, it has been battered by critics, overshadowed by newer releases, or has simply faded into oblivion. "I look at my own movie consumption habits," says Cuban, "and a lot of times I'm saying, 'Boy, I want to see this movie,' and 'Damn, I missed that one. I'll buy the DVD when it comes out.' And I never do it." Cue the millions of cheering parents who'd like to see King Kong on the same day their single friends do.
Each of the six Soderbergh movies will be released day-and-date, with showings on HDNet and DVDs initially priced at a premium--perhaps $30 or $35. There may also be rental DVDs simultaneously available from Netflix, or downloads from CinemaNow, an online service.
It's a counterintuitive idea, and it stirs near panic in just about everyone involved in making, distributing, or showing movies. It could encourage moviegoers to just opt out--to buy the DVD or watch the movie on cable, skipping the hassles of parking, the $7 popcorn, and finding a good seat. "Is it a better model?" asks Wagner. "It makes total sense to put the customer in charge. The more complex question is whether it's a better model for us. I think time will tell. It's not about one or two movies. It's about a slate. How should they be priced, how should the model be tweaked?"
The release of the Enron movie was their first partial trial of the idea. On the day of its theatrical debut, it was also shown once on HDNet Movies. The reaction from other theater owners was harsh: Some refused to screen the film at all. So Cuban and Wagner developed a scheme to appease them in the future, a "bonus pool" made up of 1% of gross DVD sales, on the rationale that theatrical showings promote the DVD.
Of course, no release strategy or digital key chain can get around the challenge of making movies that people want to see. Cuban knows this, and he has boiled that imperative down to a Yogi Berra-esque koan: "If there's bad movies, people don't go. If there's good movies, people go."