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 Post subject: Tom dowd & the Language of Music
PostPosted: Tue Jan 31, 2006 3:58 pm 
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Alcoholic National Treasure

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has anyone ever seen this? I've been familiar with this guy's name since I was 13 but I had no idea how much impact he'd had on the actual technology aspect of it as well as the fact that he had a part in the fucking Manhattan Project AFTER he'd already started production work.
This movie was on last night, just a doc. with some interviews and stuff (including WAY too many minutes of Skynyrd), but it was just fucking amazing to see this guy's rapport with Ray Charles, Aretha, Ahmet Ertegun etc...

oh, and he worked with Primal Scream? shit yes.

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PostPosted: Tue Jan 31, 2006 4:01 pm 
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Troubador
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Criteria Studios, right? A friend of mine brought this up and said it's worth a watch.
Quote:
A man who seemingly fit many lives into one lifetime, Tom Dowd was born on October 20, 1925 in New York City. At a young age he excelled in mathematics and physics, leading to his work from the ages of 16 to 20 on the Manhattan Project at Columbia University. In 1946, as a sergeant in the Army Corps of Engineers, he oversaw a team of radiation detection specialists at the atomic bomb tests in Bikini Atoll. After his discharge from Army, he soon began applying his science background to help revolutionize the process of recording music. While working for Atlantic Records, his pioneering work in binaural stereo recording, and later his design of the eight-track console, modernized the recording industry.

Quote:
Tom Dowd produced and engineered timeless records for artists including Ray Charles, Aretha Franklin, Otis Redding, John Coltrane, Dizzy Gillespie, Thelonius Monk, Cream, Rod Stewart, Lynyrd Skynyrd, The Allman Brothers Band, Dusty Springfield and countless other celebrated musicians. Dowd also formed both strong professional and personal relationships with many of these artists, including Eric Clapton, starting with Cream and leading to their working partnership on Layla and Other Assorted Loves Songs and collaborations on several of Clapton's finest solo albums


interesting guy


Last edited by seafoam on Tue Jan 31, 2006 4:06 pm, edited 1 time in total.

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PostPosted: Tue Jan 31, 2006 4:04 pm 
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Bedroom Demos

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Yes, this doc gives all kinds of insight into what was going on behind the board in the sixties and seventies. This guy was the mac-daddy of all production people.

Beyond being a genius (both musical and mechanical), the guy seemed like a really great person to hang out with. If you're going to be cooped up in the studio for weeks on end, this is the guy you'd want manning the boards.

On a somewhat related note, since it was on before the Dowd doc yesterday on IFC - the Shane MacGowen bio was also amazing. "If I Should Fall from the Grace of God" was a great warts and all snapshot of Shane. I knew he was a drunken mess, but the true level of his inebriation was mind numbing - just to watch. I have no idea how he's managed to continue functioning at the level he's been for all these years.

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PostPosted: Sun Mar 25, 2007 1:11 am 
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frostingspoon
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[ I had started a new topic then saw this was already posted, but I'm not editing what I already wrote ]

I just finished watching this. For those of you that don't know, Dowd was a pioneering engineer and later producer for Atlantic Records who has worked with damn near every giant of popular music for the past sixty years.

The DVD alone includes clips or interviews with Ahmet Ertegun, Jerry Wexler, Ray Charles, Tito Puente, Thelonious Monk, Ornette Coleman, John Coltrane, Dizzy Gillespie, Charles Mingus, Les Paul, Bobby Darin, The Platters, The Coasters, Otis Redding, Booker T. & the MGs, Aretha Franklin, Allman Brothers Band, Cream, Eric Clapton, Lynyrd Skynyrd and god knows who else.

He's a really fascinating guy not only musically but personally. He worked on the Manhattan Project and the Atomic Bomb tests in the Bikini Atoll, but left Columbia to go into the record business full-time because they couldn't teach him about the physics he already knew existed from his work for the government.

He appears to be a complete yet unassuming genius who loves what he does. Even more interesting is that he comes across as someone who you could just approach on the street and talk to without getting blown off or cussed. Two Fu's up.

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