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 Post subject: Essex Green - Cannibal Sea
PostPosted: Tue Mar 21, 2006 4:13 pm 
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I know nothing of the named Ladybug Transistor other than that it is a stupid name and obnersians' love/hate for them, but this review interests me. Any opinions on Essex Green?

Quote:
AMG Review by Tim Sendra

The Essex Green's previous album was a marvelous fusion of their psychedelic pop, soft rock, folk, and indie pop influences, much like a fusion of the Ladybug Transistor and the Sixth Great Lake (not surprising since the three principals in the band also play in those two groups). Released in 2006, Cannibal Sea is a continuation of that sound with the added ingredient of better songs, higher production values, and Final Four-worthy performances. Not that they have been weak in those departments in the past, but now they seem to have hit upon a seam of pure gold. From the opening one-two-three punch of the rollicking and lush "This Isn't Farmlife," the power pop rocker "Don't Know Why (You Stay)," and the melancholy heartbreak-in-the-city ballad "Penny & Jack," which features the two voices of the Green, the lovely Sasha Bell and the just as lovely Jeff Baron, trading verses and harmonizing like seraphim on the choruses, there isn't a weak song to be found. And they sound magnificent, too, as the bandmembers seemingly brought all their musical and arrangement skills and ideas to the sessions and they, along with producer Britt Myers, know exactly what each song needs. Some, like "Snakes in the Grass" and the shimmering ballad "Sin City," are bolstered with enough percussion, background vocals, vintage keys, horns, strings, and reverb to make Phil Spector raise his guns in tribute; some, like "Rue de Lis" and "Rabbit," are stripped down and brilliantly arranged. From beginning to end, it feels like there is just an added amount of conviction and excitement from the group on Cannibal Sea -- more soul and more dedication. In particular, Bell has stepped up her game; her vocals are perfect throughout and the chorus on "Snakes in the Grass" is guaranteed to cause four out of every five indie kids who hear it to fall instantly in love. Both she and Baron have become first-class songwriters -- and a storyteller in Baron's case -- and the Essex Green definitely sound like a real band now and not a side project. In fact, Cannibal Sea is the equal of anything the Ladybug Transistor have released (which is saying a whole lot), and is better than just about any indie pop or rock circa 2006.


Last edited by seafoam on Tue Mar 21, 2006 4:26 pm, edited 1 time in total.

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PostPosted: Tue Mar 21, 2006 4:22 pm 
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I'm a fan of both EG and LT. Haven't hear this one yet. This form of indie pop is influenced by 60's pop but is also kind of "white gospel 70's Jesus music" influenced in that it reminds me of many Christian groups I heard when I was a kid in the early 70's.

And, I think, a very un-respected genre of well-crafted pop. I think a lot of people find it too pleasant and sincere, but miss the quality songwriting.

RIYL Belle & Sebastian covering "Put Your Hand In The Hand"


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 Post subject:
PostPosted: Tue Mar 21, 2006 4:26 pm 
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I'm a pretty big Essex Green fan, I was wondering if they were gonna put out something new since its been a while.

Saw them in Amsterdam when I was really really high...good show.

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PostPosted: Tue Mar 21, 2006 4:31 pm 
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Thanks

I have been steeped in to a wuss/light rock habit of late. I think its the spring coming and recent harsh realities to bear and needing a bit of lilting escapism.


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PostPosted: Tue Mar 21, 2006 4:40 pm 
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frostingspoon
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Just checked the Merge site. Listening to the album stream on there in my office now. It's a low-quality stream, but you still hear the album okay.

The trade off of male-female leads always keep their albums from sounding too samey.


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PostPosted: Tue Mar 21, 2006 4:53 pm 
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There's more guitar on this one and less organ.


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