http://www.insound.com/Richard_Hell_and ... /INS25071/

VINYL FORMAT. INSOUND EXCLUSIVE! The limited deluxe vinyl version of Destiny Street Repaired includes the ten repaired tracks from the original Destiny Street album, a folded 18" x 24" color poster featuring a Roberta Bayley photo on one side, and art by Josh Smith that incorporates Richard's liner notes on the other. The cover art for "Destiny Street Repaired" is a modification by renowned Scottish artist, Jim Lambie, of the original album art. The deluxe vinyl version also comes with a CD that includes the ten repaired tracks plus two additional bonus tracks that were recorded as studio demos in 1979: "Smitten" (never before released anywhere) and "Funhunt" (previously released only in a live version on an out-of-print ROIR cassette). In addition, every limited deluxe vinyl copy will be numbered (one to one-thousand) and signed by Richard Hell.

This album is also available in regular CD format. Click here for more details on the CD version.

Since 1977, Richard Hell has made only three studio albums, Blank Generation (1977), Destiny Street (1982), and Dim Stars (1992). Destiny Street contains some of his best and most popular songs - such as "The Kid with the Replaceable Head" and "Time" - but Richard always felt dissatisfied with the sound of the album. He was in the worst depths of his drug dependency at the time it was made, and couldn't muster enough commitment to bother showing up for over a week of the recording sessions. He'd call in and order more guitar tracks. Then in 2004 Hell was able to recover rights to the album. He deliberately let it go out of print, pending a hypothetical improved version to re-release. Two years later he discovered a two-track mix of the original 1982 rhythm tracks of bass, drums, and two rhythm guitars, without any vocals or solos or further guitar. Hell realized this created an opportunity to re-make the record on the foundation of the original band. Destiny Street Repaired is the result. It's a freshly recorded, edited, and mixed version of Destiny Street, using players of the highest caliber to replace the undifferentiated multi-overdubbed, extended guitar solos of the original, and presenting all new vocals, and some new edits and arrangements, by Hell. Relevant too is that the new guitar players - Bill Frisell, Ivan Julian, and Marc Ribot - were all greatly admired by, and share musical values with, Robert Quine, the deceased main soloist in Richard's original band, the Voidoids. In an unprecedented move, Hell has grabbed the best part of a twenty-seven year old recording, and mixed in fresh guitar genius, and brilliant new vocals and production, to fulfill the original music's tremendous potential: Destiny Street Repaired.

Cripes.

Still say this album didn't really need fixing, and I'm skeptical of anyone, even Marc Ribot, replacing the Quine tracks.

I'm curious. The original album sucked mightily.

It sucked mightily just because of the way it was recorded and edited? Because there were too many guitar overdubs? Because of Hell's vocals?

Not because of the songs themselves?

Can an album with actual good songs on it still "suck mightily"?

It didn't have good songs. It sucked mightily. I'm still curious. Clear enough?

OK. He didn't re-write the songs. Whatever.

& you people gave Axl shit.

what??????

even Lowest Common Dominator ?

or Ignore That Door?

or Downtown At Dawn?

Replacing ANYTHING Robert Quine is a bad move, in my book. Even if it is with Ivan Julian (the closest thing to Quine) an ESPECIALLY if it's with Mark Ribot or Bill Frisell (as good as they are).

That said, I am curious to hear the 2 unreleased songs.

Oh, and Destiny Street didn't suck, but it sure as hell was no Blank Generation.

What the fuck is Richard Hell still alive for?

Put me in the camp that does not think that album sucked. Time, Replaceable Head, Downtown At Dawn, the title track...all really good. Not sure it needs fixing or if it will be improved, but I'll be curious to hear a new version.

pw: abcafterglow

Jebus, this is surprisingly good. Hell's voice is shot, but he never could sing anyway so it's oddly working. Now I'm gonna have to go listen to the old version I've got on vinyl.

Very cool.

I like it, but I liked it before. Can't say so far I like this version much if any better than the original. I do like some of the new guitar parts, but I thought the original was tighter in many ways and some of the guitar pyrotechnics on here I don't think add much and sometimes distract. I like the ballsier guitars when they work with the songs, but when they just go off into space not so much. His voice was slightly better back then, but probably about a toss up I guess as its not like he was ever really a singer. Maybe when I get a chance to play it on a real stereo instead of at work improvements will be more evident but really there are aspects of the original I prefer and parts of this one I like better. Seems like a wash to me.