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PostPosted: Fri Nov 06, 2009 12:53 pm 
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PostPosted: Fri Nov 06, 2009 2:07 pm 
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PostPosted: Fri Nov 06, 2009 3:14 pm 
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PostPosted: Fri Nov 06, 2009 4:14 pm 
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PostPosted: Fri Nov 06, 2009 7:55 pm 
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you didn't listen to anything today?


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PostPosted: Fri Nov 06, 2009 8:17 pm 
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PostPosted: Fri Nov 06, 2009 8:21 pm 
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Dan Sartain - Join Dan Sartain
Dan Sartain - Sartain Family Legacy
Dan Sartain - vs. Serpientes

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PostPosted: Fri Nov 06, 2009 8:22 pm 
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I listened to this last night & this morning.

Smashing Pumpkins' drummer's project. It's goooood.

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HybridMusic: There's been a recent rash of rock drummers recording solo records. Last year's Jack Irons' record was surprising, with a great guest list and some definite moments of glory. However, Irons fell into an age-old drummer trap, and stuck closely to a more jazz styled framework. Jimmy Chamberlin judiciously decided to go a different road from his skin-bashing contemporaries. With the Jimmy Chamberlin Complex record, he has put together a sizeable collection of real rock songs that will appeal to fans of the bands he has played with, instead of making those fans wonder how jazz music fits into their rock and roll world.

Assembling his own cast of rocker friends, including old Smashing Pumpkins wunderkind Billy Corgan, Chamberlin showcases not only his excellent drumming abilities, but also shows himself to be quite a decent songwriter. Rob Dickinson from The Catherine Wheel makes an appreciable contribution to Life Begins Again, providing vocals on two tracks - "Life Begins Again" and "Love Is Real". "Life Begins Again" is sonic magic, with thick guitar lines and crisp rock drumming underscoring the heady vocals. Corgan appears on the downbeat "Loki Cat", which is a beautiful song filled with rolling drumbeats and chiming guitars. Bill Medley of The Righteous Brothers fame sings his heart out on "Lullabye" and song co-writer Billy Mohler lends his voice to tracks "Newerwaves" and "Streetcrawler". "Lullabye" is a softly lilting groove which fits nicely into the closing strains of the record.

The instrumental tracks range from the muddled near-fusion vibes of "Streetcrawler" to the downright haunting beauty of "P.S.A.". The songs are well played, and well written, with very little to make a jazz-disliker like me shudder. Plenty of interesting parts adorn each song, great guitar tones included, and unlike many drummer solo records, the drums aren't heavy-handed and sonically overwhelming. Prettily balanced and well recorded is the name of Jimmy Chamberlin's game, and I for one, thank him for not being so overly egocentric as to make himself the focus of this record.


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PostPosted: Fri Nov 06, 2009 8:29 pm 
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blech...quickly deleted.

np:

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PostPosted: Fri Nov 06, 2009 8:45 pm 
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Neil Young - Topanga 2 1969 - 1970


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PostPosted: Fri Nov 06, 2009 9:27 pm 
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e-stone Wrote:
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blech...quickly deleted.

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pretty funny post here

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PostPosted: Sun Nov 08, 2009 7:56 pm 
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The Flaming Lips - Embryonic, first listen.

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I tried to find somebody of that sort that I could like that nobody else did - because everybody would adopt his group, and his group would be _it_; someone weird like Captain Beefheart. It's no different now - people trying to outdo ! each other in extremes. There are people who like X, and there are people who say X are wimps; they like Black Flag.


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PostPosted: Sun Nov 08, 2009 8:29 pm 
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What's this all about, BG?

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LooGAR (the straw that stirs the drink)


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PostPosted: Mon Nov 09, 2009 11:15 am 
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Big Star - #1 Record/Radio City
Willie Nelson - Red-Headed Stranger
Otis Redding - The Very Best of...
My Morning Jacket - It Still Moves

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I've recently noticed that all the unfortunate events in the lives of blues singers all seem to rhyme... I think all these tragedies could be avoided with a good rhyming dictionary.


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PostPosted: Mon Nov 09, 2009 3:33 pm 
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LooGAR'sFailsgivingDinner Wrote:
billy g Wrote:
[img][350:350]http://www.bobfranksongs.com/graphics/redneckcover.jpg[/img]


What's this all about, BG?


Bob Frank is dark country/folk singer songwriter from Memphis. He cut one record in 1972 and toured with Townes Van Zandt in the early 70's and then largely disappeared until the early '00's when he discovered his one album was a cult collector's favorite and decided to give it another go.

Jim Dickinson was good friends with him and a big fan as well. He's called Bob, "The best songwriter you've never heard." I think he's covered Bob a few times and when Bob returned to music in the 00's, Jim produced a couple of his albums. This is a compilation of some of his 00's work.

I discovered Bob from his colloboration with John Murry on the "World Without End" album which I posted about here. I since tracked down his self titled 72 release from some blog. Its pretty great with lots of mongerish themed songs. If I ever get around to doing another country mong mix, "She Sold Her Diamond For Some Gold" from the '72 S/T album in which Bob sings about trying to talk his girl into selling her engagement ring for drug money will likely make it.

This was my first listen to the comp. I don't know that I like it as much as the other two but its good.

Here's what Jim Dickinson wrote in the liner notes:

Jim Dickinson Wrote:
I have known Bob Frank through back and forth - through up and down since the summer of '63 in Memphis when less than a dozen of us were singing folk songs in an old butcher shop in Crosstown Farmers' Marker. Bob was different. He was writing his own. Not like Bob Dylan up in Greenwich Village. Not abstract, pre-psychedelic art poems, but songs like the ones in the Lomax songbook. Songs about working-class heroes, and evil villains of the industrial North, Civil War, trian wrecks, and the old Chisholm trail. He was maybe twenty years old but his voice and style were that of a saged hillbilly hermit from Stone Country.

Bob went to Vietnam and Nashville. I don't know which was worse. You would have to ask Bob. But they were both pretty bad. We ran into each other off and on for a while - then nothing - he seemed to disappear somwhere around San Francisco. He married and raised a family, working basically as a ditch digger.

Here he is all these sordid years later, still rolling his own. There is something noble about a man whose art is unchanged after nearly half a century. Bob Frank still amazes me. Sit back, put some gin in your glass, and listen to the story-songs and Zen wisdom of Bob Frank. "Rally once again."


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PostPosted: Mon Nov 09, 2009 4:16 pm 
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Paul Caporino of M.O.T.O. Wrote:
I've recently noticed that all the unfortunate events in the lives of blues singers all seem to rhyme... I think all these tragedies could be avoided with a good rhyming dictionary.


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PostPosted: Mon Nov 09, 2009 5:25 pm 
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Jim Dickinson Wrote:
I have known Bob Frank through back and forth - through up and down since the summer of '63 in Memphis when less than a dozen of us were singing folk songs in an old butcher shop in Crosstown Farmers' Marker. Bob was different. He was writing his own. Not like Bob Dylan up in Greenwich Village. Not abstract, pre-psychedelic art poems, but songs like the ones in the Lomax songbook. Songs about working-class heroes, and evil villains of the industrial North, Civil War, trian wrecks, and the old Chisholm trail. He was maybe twenty years old but his voice and style were that of a saged hillbilly hermit from Stone Country.

Bob went to Vietnam and Nashville. I don't know which was worse. You would have to ask Bob. But they were both pretty bad. We ran into each other off and on for a while - then nothing - he seemed to disappear somwhere around San Francisco. He married and raised a family, working basically as a ditch digger.

Here he is all these sordid years later, still rolling his own. There is something noble about a man whose art is unchanged after nearly half a century. Bob Frank still amazes me. Sit back, put some gin in your glass, and listen to the story-songs and Zen wisdom of Bob Frank. "Rally once again."


Wow. Gonna check this out for sure.

np:
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PostPosted: Mon Nov 09, 2009 6:10 pm 
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The Exploding Hearts - Guitar Romantic

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I tried to find somebody of that sort that I could like that nobody else did - because everybody would adopt his group, and his group would be _it_; someone weird like Captain Beefheart. It's no different now - people trying to outdo ! each other in extremes. There are people who like X, and there are people who say X are wimps; they like Black Flag.


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PostPosted: Mon Nov 09, 2009 6:22 pm 
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PostPosted: Mon Nov 09, 2009 7:54 pm 
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