In his extensive discography, Gilberto Gil has explored almost every possible shade of pop music. In this album, produced by the independent label Pau Brasil (Gil is a WEA artist), he felt safe to shamelessly go back to earlier days, where his wonderful melodies were free of the artist's anxiety for fame and success. This album is a delicate collection of acoustic grooves (with a couple of electric renditions), with several different world references, ranging from folkloric chants (the researcher/singer Marlui Miranda is instrumental here), northeastern coco (the folkloric "Tatá Engenho Novo" is hot, swinging, and thrilling), cantigas ("Mana," folklore), xote-ska ("Xote"), new age ("Kaô"), modern ciranda ("Ciranda," beautiful, dissonant melody by Moacir Santos), rap ("Rep," excellent deconstruction of that style by the smart percussion of Trilok Gurtu), xaxado ("Onde O Xaxado Tá," faithful acoustic rendition), and the hot Olodum rhythm ("Oslodum"). There is even a traditional coco, "17 Na Corrente," which may be a hit in the dance clubs in its funk rendition with drum machines and brass attacks. Pay attention to the beautiful jazz-baião solo in "Eu Te Dei Meu Ané." Joined by excellent musicians Marlui Miranda, Bugge Wesseltoft, Trilok Gurtu, and Toninho Ferragutti, Gilberto Gil makes justice to his name with Sol de Oslo, which stands several notches above the average pop record.

I have it. I can't remember enough about it to describe what it sounds like but of the 20+ GG albums I have it, it is easily the worst one. That's not to say its terrible but that its not really all that worth listening to either.

Sorry todd, this is a case of you get what you pay for.