Pearl Jam - Binaural
This is an immensely personal album for me, and an album I haven't been able to listen to since 2000 until now.
When I first got to LSU, I bonded with another freshman over Pearl Jam. We'd both felt like we were one of the few people still listening to their records. He was a much bigger fan than I was, but it was a common bond that lead to a friendship.
I remember the single 'Nothing As It Seems' had been released, but not the album yet. In the days before everything leaking, the spooky sound of Nothing As It Seems caused a great deal of excitment. I ran into Trey at a bar, and we spoke about our antipation of Binaural and seeing them in summer when they came to New Orleans. It was to be our last conversation. The next week the album came out, but I never got the chance to talk about it with Trey because the following weekend he committed suicide. His long time girlfriend dumped him, and he responded by tracking her down in a mall parking lot and shooting himself in front of her. I listened to Binaural constantly in the wake of this because it offered a connection to something that was gone. I don't think I could have began to offer any thoughts on the quality the album back then because that would be a bit like judging the quality of medicine. After 00' ended, I put Binaural away and I've never been able to listen to it since. Here goes.
One thing is clear is this album slightly departed from the Neil Young classic rock of No Code and Yield, which is evident on the lead track 'Breakerfall.' It's a tighter and darker tune. The lyrics are kind of stupid, but it envokes the energy of Ten. 'Light Years' is still hard to listen to because it is clearly about losing someone who leaves to early, but I think it's an underrated song in the Pearl Jam catalog. It feels like it belongs more on Yield than amongst the other songs here. 'Nothing as It seems' still seems like an unfulfilled promise for a new Pearl Jam reborn in the new century. 'Insignificance' is another strong track that would become a live staple with a classic Pearl Jam guitar riff. 'Rivals' has a weird mellowness that I like, but it seems out of place here. 'Soon Forget' is Vedder and a ukelele, which is enough said. The album closes with 'Parting Ways,' which always seemed erie to me.
This is clearly the work of a band that didn't know where they wanted to go and felt out of place. There's a couple of interesting tracks. A few Pearl Jam classics. But a lot unremarkable meddling tracks. Not sure they ever really found an identity again, and I quit paying attention to their releases. But I can't help think how this album seemed like it was written for my life then. 6/10.