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 Post subject: Re: TWENTYTEN
PostPosted: Sat Mar 06, 2010 12:57 pm 
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Flying Rabbit Wrote:
Next question: Does anyone have a rip of the newest Beck Record Club? They covered OAR by Skip Spence. Wilco peeps were involved, and I'd really like to listen rather than click on all those youtube videos.



http://www.multiupload.com/79UKYZT0X4


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 Post subject: Re: TWENTYTEN
PostPosted: Sun Mar 07, 2010 11:33 pm 
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tentoze Wrote:
As usual, probably limited interest here, but here's the new CCD:

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Code:
http://www.sendspace.com/file/t6177x


I really like this one. Sounds a little more modern than I expected it to.


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 11:04 am 
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Hamid Drake & Bindu - Reggaeology

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Quote:
For the first two minutes of atmospheric discourse between the twin trombones of Jeb Bishop and Jeff Albert, and the human beatbox that is Napoléon Maddox, you would be forgiven for thinking that Hamid Drake's Reggaeology was an ironically titled free improv set. But that impression doesn't last. Infectious riddims kick in, based on Bob Marley's "One Drop," and from that point on it's a joyous ride.

As the third disc from the drummer's leadership vehicle, Bindu, Reggaeology continues the template set by its predecessors only inasmuch as it is completely different to what went before. Their eponymous debut featured four saxophones, stoked by the leader's drums, while Blissful (RogueArt 2008) was predicated upon spontaneously generated string and percussion grooves, and devotional declamations. This time out, while the recitations—by either Maddox or Drake—remain, they are slung from reggae beats with a two-'bone horn section. Also gathered under the Bindu umbrella are fellow Windy City fixtures Jeff Parker on guitar and Josh Abrams on bass and guimbri.

To oversimplify, the 68-minute program alternates overtly reggae-based pieces with other world-based rhythm outings, all spiced with pockets of improvised colloquy and timbral exploration. Given Drake's extensive reggae back story, it's no surprise that the riddims carry conviction. Both trombonists stretch the horn section vernacular with expressive soloing and relaxed conversation, without the need to draw on avant technique to make their mark. Parker nails the off-beats, but still gets to step out, with guitar hero calisthenics, on the standout opener, "Kali's Children No Cry." Elsewhere he's more restrained, while Abrams gets right down to the roots. Maddox is the wildcard, whether plying a litany of shushes, clicks and pops, crooning sweetly, or intoning spiritual texts.

"Togetherness" spotlights Maddox simulating scratching and dub technology, a trick cleverly echoed by the syncopated trombones, while Drake's bass and drum "Take Us Home" benefits from the real thing. Reprised from the band's debut, "Meeting and Parting" is given a choppy, reggae makeover, features amiably duetting trombones. A half-spoken Maddox lyric—which, like a few of the vocals, holds up less well over repeated listens than the accompaniment—is one of the few misfires on this successful genre-busting mash-up.

Track listing: Kali's Children No Cry; Hymn of Solidarity; Kali Dub; The Taste of Radha's Love; Togetherness; Meeting and Parting; Take Us Home.

Personnel: Hamid Drake: drums, frame drum, tabla, voice; Napoléon Maddox: voice, beatbox; Jeff Parker: guitar; Jeff Albert: trombone, Hammond organ; Jeb Bishop: trombone; Josh Abrams: double bass, guimbri.

Code:
http://www.megaupload.com/?d=F1NOFQGZ

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 11:30 am 
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Overnight Lows - City Of Rotton Eyes

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Goner Records is proud to release City Of Rotten Eyes, the debut of Jackson, Mississippi's OVERNIGHT LOWS. It's about time. MARSH and DAPHNE NABORS, guitar and bass, have been playing out as Overnight Lows ever since their previous band, THE COMAS, imploded in early 1995. Goner and many other labels have been badgering them for a record for years. Their reluctance to release anything until now reflects both their disdain for musical trends and their quest for a recording worthy of their sound. With City Of Rotten Eyes, they've achieved it. Playing everything "in the Key Of Hep C," the Overnight Lows mix a sick and sickened attitude with a classic Angry Samoans/Queers aesthetic: establish a blazing guitar riff, yell some memorable antisocial blather over it, hit a chorus, and get out. Who has time for anything else these days? Overnight Lows aren't going to waste your time attempting to show you the path to enlightenment, or the way to your lover's heart. They'd rather show you the door. Melodies? Sure, kinda, but more like rhythmic chants to accompany you on your third trip back to the liquor store. The male/female vocal trade-offs add to the band's desperate charm. Marsh and Daphne are backed by CHEF PAUL ARTIGUES from New Orleans' DIE ROTZZ, a batterer of both drums and food. Paul blew Guy Fieri's mind with his boudin-andouille hash and homemade bagels and lox on the Food Network’s Diners, Drive-Ins and Dives. His drumming, busy but focused, blows minds as well, extending his influence far beyond the already passe "foodpunk" scene. While not putting out records in the past few years, Marsh and Daphne have played rhythm guitar and bass for the popular garage pop band LOVER! (Fat Possum Records). The Overnight Lows also achieved many bonus punk rock points by backing up legendary Killed By Death artist Ed Nasty for a mini-set at the Memphis garage rock extravaganza Gonerfest 6.


Code:
http://www.multiupload.com/8DM43H07QG

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Last edited by Roach on Tue Mar 09, 2010 8:34 am, edited 1 time in total.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 2:37 pm 
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Kingfish Wrote:
discostu Wrote:
If it gets closer to Howl, I will like them again. Baby 81 was utter shit and I sold it back.


The debut was great. Howl was inconsistenly good. The other albums were utter shit.


Listening to Devil's Tattoo right now. At least the title song has a bit of the Howl feel to it.


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 3:19 pm 
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Whiskey Tango
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Listened to about half of that Apples in Stereo and am not really feeling it all.

The Fionn Regan, on the other hand, is pretty damn enjoyable and will get some repeat plays.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 3:29 pm 
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The White Stripes – Under Great White Northern Lights (2010)

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Code:
http://bit.ly/9juiDn


In the summer of 2007, shortly after the release of their 6th album 'Icky Thump', The White Stripes headed
north of their hometown of Detroit to embark on an ambitious journey across Canada. The plan was to play a show in every province and territory in Canada, from B.C. to Newfoundland to Nunavut. 'Having never done a tour of Canada, Meg and I thought it was high time to go whole hog... from the ocean to the permafrost' says Jack White. 'We wanted to play out of the way towns that don't usually get shows... the shows are better, it's better for the people, it's a better experience, it's way more unique, something interesting is going to happen... hopefully.'
White called upon filmmaker Emmett Malloy to come and document this trek for the band. Malloy had directed videos for
the band in the past, and seemed eager to hit the road with them. Equipped with a couple of 16mm cameras, and a few other documenting devices, the band and crew all headed north. The end result was 'Under Great White Northern Lights'.
'Under Great White Northern Lights' is a visual and emotional feature length film documenting The White Stripes making their way through Canada and culminating with their 10th anniversary show in Nova Scotia. The film documents the band playing shows all over Canada; from local bowling alleys, to city buses, and onward to the legendary Savoy Theater for the
10th Anniversary show. A show that turned out to be the longest show the band had ever done on stage together.
The film captures intimate moments of Jack and Meg both on and off stage as they travel through some of the most
remote parts of the northern Yukon Territory. Along the way, they have some nice casual conversations about their ten years together, fire cannons, play some of their biggest songs together on stage, and even play a 'one note show.' The cameras were there to capture every waking moment.
What 'Northern Lights' does best, is document one of the biggest bands in the world, playing to local crowds in small towns. Some of these towns were so small that many of the locals had no idea who The White Stripes were - they just knew something big was going on in their town. This forced a band that had been together for a decade to go back to a place reminiscent of the first shows they ever played together. For the first time in a long time, no one knew who they were and they had to make a first impression with their music. The live footage captured in this film shows that Jack and Meg were clearly ready for this.
Beyond the live footage, some of the films most memorable moments happen off-stage - offering an insightful look into the very private and complex world that is The White Stripes. It was shortly after this tour that The White Stripes canceled
their fall tour of the United States - making the ten year anniversary a truly pivotal milestone for this legendary band.


Last edited by Dalen on Mon Mar 08, 2010 3:59 pm, edited 1 time in total.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 3:57 pm 
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Go Platinum

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Dalen Wrote:
The White Stripes – Under Great White Northern Lights (2010)

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Code:
http://bit.ly/9juiDn


Good work, Dale.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 5:38 pm 
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Go Platinum

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let's hear if it's good, please. i'm not big on the white stripes, but i love canada.


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 5:47 pm 
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frostingspoon
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I like that album cover.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 6:28 pm 
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May contain Jesus.
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Fryxell Wrote:
Flying Rabbit Wrote:
Next question: Does anyone have a rip of the newest Beck Record Club? They covered OAR by Skip Spence. Wilco peeps were involved, and I'd really like to listen rather than click on all those youtube videos.



http://www.multiupload.com/79UKYZT0X4


Thank ya.

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Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 6:40 pm 
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Indie Debut
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I just wanted to see how it looks inverted

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 6:42 pm 
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Go Platinum

Joined: Mon Oct 25, 2004 11:47 am
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Location: red wing
like a beach


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 8:52 pm 
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Natural Harvester
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4 tracks from the new Flying Lotus.

http://rapidshare.com/files/360339641/F ... Songs_.zip

Computer Face!!!!!!!


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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 8:57 pm 
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Go Platinum
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Location: not in the gift shop dept.
this page rules

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 9:13 pm 
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Whiskey Tango
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How's the Stripes sound? I grabbed the link but probably won't get to listen until tmrw.

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 Post subject: Re: TWENTYTEN
PostPosted: Mon Mar 08, 2010 9:18 pm 
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TEH MACHINE
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Yail Bloor Wrote:
How's the Stripes sound? I grabbed the link but probably won't get to listen until tmrw.


I wanna know too. I'm thinking of dropping some money on that box set.

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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 12:12 pm 
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free energy - stuck on nothing - 2010 (V0)

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Free Energy have clearly watched Dazed and Confused many times. The Philly quintet futz with Seventies rock like gearheads restoring an old El Camino. Singer Paul Sprangers and guitarist Scott Wells used to be in Pavement-fan band Hockey Night, and they haven't ditched indie rock's deadpan tone or slanted structures in embracing Tom Petty and Thin Lizzy. It means their boogie breakouts come with lines like "Sky is electric/My skin don't feel right." Producer James Murphy of LCD Soundsystem gives it all a dry period production, evoking vinyl music and vinyl car seats.

Code:
http://bit.ly/cV6KBt


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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 12:27 pm 
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caribou - swim - 2010

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In the three-year gap since Caribou’s/ Daniel Snaith’s last salvo of fuzzy, psych-laced popscapes, Andorra, the artist formally known as Manitoba has fallen for dance music, or “music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan... Dance music that sounds like it's made out of water, rather than made out of metallic stuff like most dance music does." So, dance music for water. Or water music for dancers. Either way, judging by the bouncy synths of the !!!-esqe preview track, “Odessa,” it will be arresting, even if it is made of water.

Code:
http://bit.ly/9ChUTL


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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 12:57 pm 
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big leak!


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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 1:03 pm 
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Go Platinum
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Location: not in the gift shop dept.
sheesh. too much stuff i want to listen to!

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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 1:05 pm 
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Go Platinum

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Location: red wing
nice artwork too


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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 1:26 pm 
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Paul Weller - Wake Up The Nation - 2010

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Paul Weller releases his tenth studio solo album Wake Up the Nation in the United States on May 4th via long-time label Yep Roc Records & 19th April in the UK via Island Records.

After an unparalleled career, characterized by constant musical experimentation, we should be used to Paul Weller’s relentless desire to chop and change his sound. But after the triumphant, Brit Award-bagging success of 22 Dreams (his third solo number one in the UK), Wake Up The Nation sees one of rock’s most iconic songwriters expand and evolve once more.

A departure stylistically from last year’s more pastoral 22 Dreams, Wake Up is lean, mean and as uncompromisingly focused as it’s maker, Wake Up the Nation also brings Paul Weller full circle: twenty-eight years on from The Jam’s split, two tracks feature the former bassist Bruce Foxton. The album also sees contributions from My Bloody Valentine’s Kevin Shields, The Move’s Bev Bevan and legendary session drummer Clem Cattini.

With passion, progression, and as ever, spine-tingling rock n roll-Paul Weller has delivered the perfect soundtrack to a new decade.

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http://bit.ly/9c28eC


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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 1:55 pm 
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Captain Fish-Fuck Wrote:
Overnight Lows - City Of Rotton Eyes

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yea! thanks!

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 Post subject: Re: TWENTYTEN
PostPosted: Tue Mar 09, 2010 2:29 pm 
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Go Platinum

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Location: red wing
caribou has a way of making derivative music on par with and/or better than its influencers. "swim" is really good, i will listen to it a lot.


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