Sure, let's do this.



Grateful Dead 1972-04-17 Tivoli Gardens, Copenhagen, DEN

Set 1: Cold Rain & Snow, Me And Bobby McGee, Chinatown Shuffle, China Cat Sunflower > I Know You Rider, Jack Straw, He's Gone, Next Time You See Me, Black Throated Wind, Casey Jones, Mr. Charlie, Playin in the Band, Sugaree

Set 2: One More Saturday Night, It Hurts Me Too, Ramble On Rose, El Paso, Big Railroad Blues, Truckin', Dark Star > Sugar Magnolia > Caution (Do Not Stop On The Tracks) > Johnny B. Goode

Definitely great, I don't know if it would be my favourite yet. Those England 'One More Saturday Night's were pretty fiery and set a high closing bar.

Our first 'Johnny B Goode'.

Thoughts on the 17 show? That was an intense Dark Star>Caution. Overall a good show, and one I should probably give another spin.

Also I absolutely do not need to hear El Paso again.

I forgot to put it on my phone before I left town last week...I'm calling another week off to play catchup.

lately i need about two weeks per show

Chilling out to the Dark Star from the most recent show. It's perfectly fine music to have on in the background like I have now, but shit is brutal when it's on headphones and it's all you can focus on.

For 31 min. I didn't do the headphones for that show, clearly I probably should.

I'm all caught up and ready for more.

Ready to fire this back up?

I forgot this was happening. Anything worthwhile coming up? I don't feel like going back to catch up.

i enjoyed all the shows about equally, i don't see that changing much.

They've been solid throughout, although the first couple of England shows were exceptional.

Bloor, we're dying here.

We can wait no longer!!!!

Europe '72: Beat Club, Bremen, West Germany (4/21/1972)



"Bertha" (Garcia, Hunter) – 6:06
"Playing in the Band" (Weir, Hart, Hunter) – 9:58
"Mr. Charlie" (McKernan, Hunter) – 4:05
"Sugaree" (Garcia, Hunter) – 7:53
"One More Saturday Night" (Weir) – 4:51
"Playing in the Band" (Weir, Hart, Hunter) – 10:56
"Beat It On Down the Line" (Fuller) – 3:03
"Truckin'" (Garcia, Lesh, Weir, Hunter) > – 9:33
"Drums" (Kreutzmann) > – 1:16
"The Other One" (Weir, Kreutzmann) – 21:47

Rheinhalle, Dusseldorf, West Germany (4/24/1972)



Disc 1
First set:
"Truckin'" (Garcia, Lesh, Weir, Hunter) – 11:17
"Tennessee Jed" (Garcia, Hunter) – 8:01
"Chinatown Shuffle" (McKernan) – 3:10
"Black-Throated Wind" (Weir, Barlow) – 6:59
"China Cat Sunflower" (Garcia, Hunter) > – 6:07
"I Know You Rider" (traditional, arranged by Grateful Dead) – 6:19
"Mr. Charlie" (McKernan, Hunter) – 4:12
"Beat It On Down the Line" (Fuller) – 3:30
"Loser" (Garcia, Hunter) – 6:39

Disc 2
"Playing in the Band" (Weir, Hart, Hunter) – 11:40
"Next Time You See Me" (Harvey, Forest) – 4:41
"Me and Bobby McGee" (Kristofferson, Foster) – 6:20
"Good Lovin'" (Clark, Resnick) – 17:30
"Casey Jones" (Garcia, Hunter) – 6:12

Disc 3
Second set:
"Dark Star" (Garcia, Hart, Kreutzmann, Lesh, McKernan, Weir, Hunter) > – 25:45
"Me and My Uncle" (Phillips) > – 3:23
"Dark Star" (Garcia, Hart, Kreutzmann, Lesh, McKernan, Weir, Hunter) > – 14:38
"Wharf Rat" (Garcia, Hunter) > – 9:16
"Sugar Magnolia" (Weir, Hunter) – 7:47

Disc 4
Third set:
"He's Gone" (Garcia, Hunter) – 10:33
"Hurts Me Too" (James, Sehorn) – 8:34
"El Paso" (Robbins) – 4:47
"Not Fade Away" (Petty, Hardin) > – 3:19
"Goin' Down the Road Feeling Bad" (traditional, arranged by Grateful Dead) > – 6:30
"Not Fade Away" (Petty, Hardin) – 3:01
Encore:
"One More Saturday Night" (Weir) – 4:44



All tracks from this concert were previously released as Rockin' the Rhein with the Grateful Dead.

what's the deal with that short one?

i know there are as many Dylan bootlegs as there are Dead bootlegs, but why is the quality so much lower?

It seems like the reason we are drawn the recordings are similar but the fans have organized in such a different way.

Dylan is more revered than Jerry, but Jerry's ebbs and flows are more poured upon.

this is my sunday drunk thought.

To make a long story long, the Dead were committed, almost from the the beginning, in recording everything they did in as high a quality as the times and resources allowed. So, at the least you have stereo soundboards that were recorded straight to 1/2" tape and even full on, 16 channel, multi track recordings that could then be remixed.

And also, an army of tapers, that, even if they didn't have access to the soundboard, would use whatever the state of the art equipment was at the time to capture shows. I mean, normal people don't own fucking $2000 Schoeps microphones and certainly not the kind of Radio-Shack-mic-in-to-a-Walkman bum that would tape a Dylan show--We're talking about animals here.

And you can trace it all back to Bear and the Dead's constant, acid-fueled pursuit of their idea of "sonic excellence".

I'm sorry I fell behind. Mea culpa, bitches.

That's all right, found a couple of alternate sources for the interested.

YOU PUSSIES GIVIN UP
WE GOTTA DIG OUR HEALS IN AND FINISH THIS FUCKING THING

I have been listening, I'm nearly out of Denmark where are you?

i left of with the one you posted.