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 Post subject: Re: TWENTYTWELVE
PostPosted: Mon Feb 20, 2012 12:55 pm 
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Stop Breathin' Wrote:
Hunting a non-filepost link for the new Corrosion of Conformity


Please tell me they've gone back to hardcore/crossover.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Mon Feb 20, 2012 5:15 pm 
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thisotherkingdom Wrote:
Lucero's gonna leak any day now. C'mon.


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Code:
http://www.mediafire.com/?uo9jvgccvjhsupw

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 Post subject: Re: TWENTYTWELVE
PostPosted: Mon Feb 20, 2012 5:36 pm 
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e-stone Wrote:
thisotherkingdom Wrote:
Lucero's gonna leak any day now. C'mon.


Image

Code:
http://www.mediafire.com/?uo9jvgccvjhsupw


Image

Seems like a good segue to post this: Ben Nichols Before Common Era

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 5:01 pm 
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Flying Rabbit Wrote:
Rick Derris Wrote:
Also, FYI, Jay Gonzalez (keyboard player for DBT) has a new solo record out and it's pretty sweet. I can't find a link but you can sample it here:

http://inflatablemusic.bandcamp.com/

It's 60's/70's powerpop AM gold type of stuff. Way different than what the Truckers do. Thought you might dig it. Definite first surprise of the year for me.


I really love it. Wife and I have copies in our cars. It nods towards Beatles, Cheap Trick, and Big Star. Really amazing his talent.


FR-
Much appreciate a link if you have one sir? The samples sound mighty fine-
Thanks for the Lucero too-

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 5:19 pm 
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e-stone Wrote:
thisotherkingdom Wrote:
Lucero's gonna leak any day now. C'mon.


Image

Code:
http://www.mediafire.com/?uo9jvgccvjhsupw


This is terrible. I'm giving up on them.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 6:05 pm 
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mcaputo Wrote:
FR-
Much appreciate a link if you have one sir? The samples sound mighty fine-
Thanks for the Lucero too-


Sorry no linkee. I bought a copy. Here's the bandcamp page: http://inflatablemusic.bandcamp.com/album/mess-of-happiness

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 6:29 pm 
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Flying Rabbit Wrote:
mcaputo Wrote:
FR-
Much appreciate a link if you have one sir? The samples sound mighty fine-
Thanks for the Lucero too-


Sorry no linkee. I bought a copy. Here's the bandcamp page: http://inflatablemusic.bandcamp.com/album/mess-of-happiness


No worries. I like it enough to purchase. Thanks
....and Derris, much appreciate the turn-on.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 8:01 pm 
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Death

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shiv re:lucero Wrote:
This is terrible. I'm giving up on them.


My first impression wasn't far off from yours. Still love seeing them live, though.


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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 9:17 pm 
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thisotherkingdom Wrote:
shiv re:lucero Wrote:
This is terrible. I'm giving up on them.


My first impression wasn't far off from yours. Still love seeing them live, though.


yeah their albums have been on a downward slope for me. it feels like they're just going through the motions.

they're playing live here in april. i'm on the fence about going but i haven't seen them in ages.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 9:58 pm 
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shiv Wrote:
thisotherkingdom Wrote:
shiv re:lucero Wrote:
This is terrible. I'm giving up on them.


My first impression wasn't far off from yours. Still love seeing them live, though.


yeah their albums have been on a downward slope for me. it feels like they're just going through the motions.

they're playing live here in april. i'm on the fence about going but i haven't seen them in ages.


The question is--is J.Roddy playing with them? If so, I say yes.

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Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 10:08 pm 
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See, I think their last album is their second best after That Much Further West. This new one, on the other hand, is clearly their Dirty Work

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 Post subject: Re: TWENTYTWELVE
PostPosted: Tue Feb 21, 2012 10:25 pm 
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Yail Bloor Wrote:
See, I think their last album is their second best after That Much Further West. This new one, on the other hand, is clearly their Dirty Work


Nobody's Darlings
Rebels, Rogues, Sworn Brothers
Tennessee
1372
That Much Further West
whatever else...


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 Post subject: Re: TWENTYTWELVE
PostPosted: Wed Feb 22, 2012 1:47 am 
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Yail Bloor Wrote:
See, I think their last album is their second best after That Much Further West. This new one, on the other hand, is clearly their Dirty Work

The ranking is open to debate (I consider their last two equal or superior to Further West), but the mystery is why some people here ever liked them. It's not like Lucero changed their sound; they simply refined it. They didn't change their approach, merely learned how to better write a song. So what's the big crime on Women & Work?


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 Post subject: Re: TWENTYTWELVE
PostPosted: Wed Feb 22, 2012 1:59 am 
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Who wants a refined Lucero?

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 Post subject: Re: TWENTYTWELVE
PostPosted: Wed Feb 22, 2012 2:42 am 
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listened a couple of times today and its very similar to the last one. i liked it and i like this.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Wed Feb 22, 2012 9:29 am 
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Radcliffe Wrote:
Yail Bloor Wrote:
See, I think their last album is their second best after That Much Further West. This new one, on the other hand, is clearly their Dirty Work

The ranking is open to debate (I consider their last two equal or superior to Further West), but the mystery is why some people here ever liked them. It's not like Lucero changed their sound; they simply refined it. They didn't change their approach, merely learned how to better write a song. So what's the big crime on Women & Work?


For me at least (and this is subject to change as I've only listened once), it just struck me as too...slick or something. On the last record, the horns were a great addition but the guitars were still raw and there was real drama on a lot of the songs. There were a few songs towards the end of the record that hinted to this new one though which I can only describe as "late period Stones lazy guitar riffs, too much horns mixed too high and really, really bad lyrics"

To say they didn't change their approach, just learned to write a better song is absurd: Adding horns, using different producers, singing in a different style and yes, writing better[sic] songs is "changing your approach"

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 Post subject: Re: TWENTYTWELVE
PostPosted: Wed Feb 22, 2012 7:18 pm 
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Troubador
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mcaputo Wrote:
Flying Rabbit Wrote:
Rick Derris Wrote:
Also, FYI, Jay Gonzalez (keyboard player for DBT) has a new solo record out and it's pretty sweet. I can't find a link but you can sample it here:

http://inflatablemusic.bandcamp.com/

It's 60's/70's powerpop AM gold type of stuff. Way different than what the Truckers do. Thought you might dig it. Definite first surprise of the year for me.


I really love it. Wife and I have copies in our cars. It nods towards Beatles, Cheap Trick, and Big Star. Really amazing his talent.


FR-
Much appreciate a link if you have one sir? The samples sound mighty fine-

Thanks for the Lucero too-



liking that Jay Gonzalez thanks


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 Post subject: Re: TWENTYTWELVE
PostPosted: Wed Feb 22, 2012 8:17 pm 
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Rape Gaze
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Yail Bloor Wrote:
Radcliffe Wrote:
Yail Bloor Wrote:
See, I think their last album is their second best after That Much Further West. This new one, on the other hand, is clearly their Dirty Work

The ranking is open to debate (I consider their last two equal or superior to Further West), but the mystery is why some people here ever liked them. It's not like Lucero changed their sound; they simply refined it. They didn't change their approach, merely learned how to better write a song. So what's the big crime on Women & Work?


For me at least (and this is subject to change as I've only listened once), it just struck me as too...slick or something. On the last record, the horns were a great addition but the guitars were still raw and there was real drama on a lot of the songs. There were a few songs towards the end of the record that hinted to this new one though which I can only describe as "late period Stones lazy guitar riffs, too much horns mixed too high and really, really bad lyrics"

To say they didn't change their approach, just learned to write a better song is absurd: Adding horns, using different producers, singing in a different style and yes, writing better[sic] songs is "changing your approach"


This is sort of what I was going to add last night though I was too tired to write it and it wouldn't have sounded as good.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Thu Feb 23, 2012 11:04 am 
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http://www.playbsides.com/?p=4112

Daytrotter to Reissue John Denver 1971 Classic on Limited Vinyl

Quote:
A couple of years ago I had the opportunity to hang out with Sean Moeller at the Horseshack during one particularly sweltery June afternoon over a couple of welcome PBR’s shooting the shit about a lot of stuff, but he shared with me that one of his dreams was to launch a boutique vinyl label. Really, it was the logical progression from the special recording sessions that happen at the studio.

In the ensuing years, we have been treated to a few Daytrotter-partnered releases– notably the Iron & Wine split release with Low Anthem last year comprised of two Daytrotter sessions.

Today a special missive came from the stables announcing that Daytrotter will be reissuing John Denver’s 1971 classic Poems, Prayers & Promises remastered lovingly to vinyl for the album’s 40th anniversary. This album is one of many brilliant folk albums in Denver’s extensive catalog, but has two of the big signature songs, “Take Me Home, Country Roads,” and “Sunshine On My Shoulders” as well as some well-chosen covers of James Taylor’s “Fire and Rain” as well as a startlingly impassioned take on the Beatles classic “Let It Be.”

The release was produced with the participation of Denver’s estate and features an interpretation by in-house artist Johnnie Cluney of the original cover art. The release will be limited to 1000 and available exclusively through the Daytrotter.com website and sold by Wolfgang’s Vault for $12 to peeps who are monthly subscribers (like your truly) or for $18 to everyone else.


And yes, I ordered a copy.

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Baltimore is a town where everyone thinks they’re normal, but they’re totally insane. In New York, they think they’re crazy, but they’re perfectly normal. --John Waters
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 Post subject: Re: TWENTYTWELVE
PostPosted: Thu Feb 23, 2012 11:17 am 
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I had no idea that people actually liked John Denver. You're like frostingrabbit.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Thu Feb 23, 2012 11:26 am 
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Sentimental reasons. WV an' all. But honestly, my mom was a big Denver fan and the sounds of those records resonating through the house still kinda is there.

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 Post subject: Re: TWENTYTWELVE
PostPosted: Thu Feb 23, 2012 12:38 pm 
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I went through a Denver nostalgia phase a few years ago. Reminded me of our trips to the mountains when a kid.


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 Post subject: Re: TWENTYTWELVE
PostPosted: Thu Feb 23, 2012 7:41 pm 
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Head Gardener Wrote:
Sex, Drugs, and Dave Wrote:
is magiska done again?


plenty to dig in here :
Quote:
http://www.netvibes.com/nnop#albums_A
thas jus the A's!


did no data die too? is mag still private?


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 Post subject: Re: TWENTYTWELVE
PostPosted: Thu Feb 23, 2012 11:55 pm 
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Go Platinum
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from nodata's facebook page, it seems they're (temporarily?) done

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 Post subject: Re: TWENTYTWELVE
PostPosted: Fri Feb 24, 2012 3:01 am 
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crap.


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