Nice, Rabbit, I haven't heard any of those, but I've definitely wanted to check out that David Axelrod album for a while.
And that Robbie Basho album reminds me...
John Fahey -
The Yellow PrincessKind of surprised that we've made it this far without this album being mentioned, but then people have tended to lean toward the more obscure stuff in these threads. Also 1969 just has a ton of great albums, and arguably more "stone cold classics" (ugh) than just about any year.
This may be my favorite Fahey, but it's really hard to pick between all of his '60s albums. I like this one because he really stretches out on it and makes his playing style even more personal and unique. I don't really like most of his later "experimental" stuff, but I think this is the perfect middle ground between that and his earlier, more straightforward stuff. It's probably a good place to start with him, too.
OK, I should let this thread be, but here's one more artist who put out three great albums in 1969:
Pharoah SandersIzipho Zam
Karma
Jewels of ThoughtSanders also recorded
Summun Bukmun Umyun (Deaf Dumb Blind), also a great album with a similar sound, this same year and released it in 1970.
I've actually never heard
Izipho Zam, but I posted it here because it's at least as highly regarded as
Jewels of Thought, if not more, and it's relevant to this period of Sander's music, which is his most prolific and arguably his best. I just downloaded it yesterday, and I'll share the link I used below.
For those who don't know, this is, I think, spiritual jazz, a little bit free, a little bit fusion-y. There are some discordant moments and some skronky moments, but it's mostly really pretty. I think the main hurdle to get over for most people who are new to this is actually the vocals. There is singing on a lot of this stuff, and it's a bizarre kind of semi-yodeling that can be really off-putting - or it was to me, anyway - at first. If you can get past that, there's some really incredible music here, if it does seem a little on the New-Age-y side. It has a certain grit to it, enough of an edge to keep it from seeming like a bunch of jazz-hippy garbage, and the spiritual elements hearken back to Coltrane's latter albums, many of which Sanders played on.
And here's
Izipho Zam, for anyone interested:
Code:
http://www.mediafire.com/?7zdiddhmz2o